They’ve been sitting in a folder in the basement, old old work prints that never quite got finished, and are here scanned. I’m thinking to join a local photo co-op so I can scan some of the old negatives and revisit them, give them some love, resuscitate them from their state of defunctedness.They are moments of abandon, in different meanings of the word – a moment of wild running abandon; an abandoned fridge and perhaps child as well; and losing oneself to the abandon of sleep…Weekly Photo Challenge – Abandoned
In the alleyway just down from my house, there’s the expected graffiti on the garage doors, but more unusual are the bits of installation art that appear.
This one of the heart has been most striking.
It began on one side of the alley, on a kind of plywood sliding wall, and has morphed over time, its paper images and fold-out doors peeling away in the weather, then magically sprouting new imagery in its centre.
After several incarnations on the plywood wall, one day it had been moved to the other side of the alley, near someone’s rear doorway. It continues to evolve. The images continue to shift. Over time it’s become a highlight of the walk down the alley – to see what new elements have arisen in the night.
I’ve been thinking I must contribute to it at some point, adding some new element, some small sprinkle of love before we leave the neighbourhood.
Weekly Photo Challenge – Three
The taxi driver refused to go any further.
In the dream I was staying in a hotel on Spadina near College and wanted to go shopping further down towards Dundas, in the deep and winding medieval streets, but the driver turned the car around and let me out, saying “most people don’t want to go down there – it’s too dangerous”.
It was like one of those neighbourhoods in Mexico City – Colonia Doctores or Ciudad Neza way back when – where all taxi drivers refuse to enter, cause everyone knows anything could happen.
So I walked.
The streets were deserted, dark, until I got down near the very bottom, almost to the waterfront, where the sky was wide and the road opened up into a kind of rock quarry, reminiscent of Teotihuacan –
And still walking, I ventured into the rocks, strolling happily until I sensed movement in the steps and mounds of the quarry. And as I looked, these creatures took shape.
They were lions – stone lions.
They were living animals – their large bodies moving and rummaging about – but they were made of stone, the same stone of the the quarry.
At just the moment that it registered in my mind what I was seeing, the danger I was in, a large lion sensed me too, the hint of movement in his peripheral vision, and his head snapped up in a snarl.
Then the pounce, the running jump of the massive creature coming after me.
Suddenly I had a large plywood board in my hands which I lay underneath in a crevice in the rocks, pulling the board flat on top of me, effectively disappearing into the ground.
The lion lumbered heavily over me, not finding me, scrambling over and away, somewhere beyond where I lay hidden.
The fear was so real, the terror so palpable – one of those nightmares that wakes you up in a sweat, blinking in the dark of the bedroom.
The next morning I was out walking, and turning the corner to where the new second-hand bookstore is, the guy who sells old National Geographic magazines for a buck a piece, I noticed several had big spreads on lions.
I brought them home and began to draw.
When the dream is so vivid, so strong, and yet so cryptic, there is nothing for it but to spend more time with the imagery…