Magicians

I am staying at Rh’s house. Or not in the house proper, but in a kind of separate guest house / basement suite that she uses, leaving the main house empty.

A man comes in. He wears a balaclava over his face and chases me around, trying to rape me. I am terrified, I do NOT want this to happen. Rh chuckles, watching the action. She has planned this.

There is a pause, and the man pulls off the ski mask. He is, in fact, a kind of goofy guy, and a magician. There is no threat after all.

* * *

This dream stayed with me for a while – as the frightening part was heart-stoppingly terrifying, and the idea of a goofy magician underneath the mask totally piqued my curiosity.

A few days later I found myself at a workshop in Owen Sound with the Toltec teacher, Sergio Magaña –

We learned a “manifesting technique” that, in its series of movements, reminded me for all the world of the Magician card in the tarot deck – reaching up to the sky above, and down below to the earth in the process of creation…

What a way to begin the summer…

We stayed just outside of Owen Sound on my friends’ farm where they had some new horses, and Sauble beach is just a hop skip and jump away –

And there is a sense of buoyant optimism in the sensation of creation from this practice… It’s a technique that is done for a number of days in a row, the repetition reinforcing the sense of creative magician… even my dream world has been increasingly busy (and occasionally magical) with this practice.

* * *

On Facebook I belong to various dream groups, and recently someone posted some collages she was doing from her dreams.

They had the structure of a series of comic book frames, allowing for the shifts in the narrative from scene to scene – a technique she said she learned from a workshop with Jeremy Taylor.

We got into a bit of a conversation about working from a dream, and how sometimes later, when you look back at the original entry in your dream journal, the details can appear to be quite different from what you’ve been accentuating or extrapolating as you make art, or even have conversations about the dream.

For example, from the dream above at Rh’s house, I’d been remembering the most vivid bits of the fear and of the unexpected revelation of a magician.

Yet when I looked back to my dream journal I found that I’d had several other forgotten magician dreams before this, and within the original entry on this dream, there was a detail that “this is a game or a challenge Rh and I have”. So the chuckling Rh seems less evil in this context, and my character is then also not so much a victim as a co-creator.

Interesting.

* * *

There was a dream I had maybe 2 years ago of 6 dead bulls in a parking lot.

It was a terrible dream, with the stench of death in it, and the sense of tragedy of these 6 massive powerful creatures dying a lonely unceremonious death in a parking lot at night.

At the time I had no place to talk about dreams, but I can always make art, so I did painting after painting of bulls, dead or dying, wondering what the heck the dream was about.

At some point I happened on a free webinar given by some people in Vermont, and I told them the dream of the 6 bulls. They were so lovely, they listened so well, and at some point Sue said, “how do you know they were dead?”.

The possibility of seeing the dream story as a more fluid entity, of not taking the narrative as a finished, absolute, unchangeable reality ROCKED my world.

Since then there has been a large painting in the works of some very alive bulls, and even a small sculpture is in the works.

And you, Dear Reader…?

Have you found your relationship or understanding of certain dreams changes over time?

Female Fates

(This voyage happened a little while ago –
Got a bit too busy to complete and post it at the time, but here it is now…)

Montreal again.

Time for the Foire papier and I’ve signed up for a hooked-up tour to see all kinds of hot shows and behind-the-scenes tours with curators and fun stuff.

In the morning on my way to the train station, rushing late onto the commuter train platform, I see a familiar face amongst the crowd – my sister!

Such a treat, such a surprise, and a chance to chat about travel plans, kids, family this and that, our 2 bashful waspy selves happily delighted at the unexpected intimacy.

Some hours later, early evening in a crowded vernissage in Old Montreal, mind blown already by the totally rad exhibit by Bharti Kher, hinting at things deeply feminine, reproductive, migratory, a cross between exquisite sensuality and mass production…

We are milling around by the bar, people-watching the funked-out Montreal artists in psychedelic shades and storm trooper boots, when across the room again I see a familiar face…
My sister-out-of-law! Another most adored human!

Not quite officially related (she is my son’s aunt, but my ex and I never married), it is wonderful to see her after some years of missing each other in passing, and there is news of new cousins in the mix, and tell me, tell me, how are all the kids?

It feels awfully apropos to be surrounded by spermatazoid specks and female shapes on this day of family, tribe, migrations and reconnections.

* * *

Next day, another 12 or 14 exhibits, but my favourite is this one, yet another amazing female artist, Elly Strik – new to me, very drawing based –

This entire room is called the “dream room”, with a huge drawing on one wall of Freud’s couch, and many smaller drawings of more intimate details on the surrounding walls.

The major portion of the show is comprised of these massive mysterious female almost-portraits… beautiful yet unknowable, huge and yet tender.

And you, Gentle Reader?

Seen any good Art lately?

March wishes

Oh I wish, how I wish I were a flying fish.

Oh I wish I wish I were the spray from an ocean wave
the wind in the trees
the stretch of a cat
the sparkle of a star in the night sky
a floating colourful anemone in the warm Caribbean sea
a coasting bird, soaring, casual as I move through the clouds…

* * *

We are in my dad’s house in Philadelphia – he has recently inherited it from his parents.
It still has old lady wall paper and old fashioned furniture and such, but some areas, by the staircase for example, there are some bare brick walls and boards.
I know I’m going to inherit this house soon, very soon, and so I look around with eyes to renovation – imagine it with the old lady wallpaper gone, and clean modern lines…Oh, it is exciting, the possibilities ahead!
And I start to pull away more of the old boards at the bottom of the staircase thinking of opening up more space, but I discover curled under the stairs in the crawl space the corpse of a fox terrier.
This is rather disturbing.
Creepy, and there’s going to be a smell problem.
It’ll have to be cleaned up.
But suddenly it gets up, now it’s glowing a rich blue colour, and is a real fox fox, a wild fox.
Away it trots, glowing blue.
I am relieved that this corner of the house is now clean and clear, blessed by this magic glowing ghost-fox.
Outside I am driving, and I realize this is going to be whole new phase of my life – I will move back to the States, to this house in Philly, and I will finally be driving again!
My sister and I are by a kind of river, streaming over rocks, with many many people. But there is a bad man who is a problem.
We drown him, the two of us, holding him down in the river in the midst of the rush of people – visceral, his red throat, bulging veins and tongue – and then finally, the bad man is dead.

* * *

Last night I sat down in the studio for a wee break from painting the latest fox – lots of foxes these days – and the angle from the chair to the patiently waiting half-finished or half-started crow on the wall with the Dollarama flowers on the table in front made it look as though the wing of the crow was decorated, almost tattooed with a gorgeous string of pink flowers…

And I wished, how I wished I was THAT kind of artist.
An artist who makes pretty pink decorative things or beautiful tattoos or things you might want to use as wallpaper in your kid’s room…

Moments, just fleeting moments where the desire to be other, to be more, to be different, to be something else, to be someone else bubbles up.

It’s not so terrible in a way, as it’s all clustered into what has become a fairly conscious process of change I’ve been working on for some time now, deep thinking about the things that are not working, the things that need to be better, the places I need to step up, become a better human being…
But here’s the thing… change is HARD!!!!

Maybe you already knew that.

So one thing I always find myself doing in these moments, is reading.

Have a seat by the fireside and enjoy some Joseph Campbell:

The basic story of the hero journey involves giving up where you are, going into the realm of adventure, coming to some kind of symbolically rendered realization…
If the call is heeded…the individual is invoked to engage in a dangerous adventure. It’s always a dangerous adventure because you’re moving out of the familiar sphere of your community. In myths, this is represented as moving out of the known sphere altogether into the great beyond. I call this crossing the threshold. This is the crossing from the conscious into the unconscious world, but the unconscious world is represented in many many many different images, depending on the cultural surrounds of the mythos. It may be a getting lost in a dark forest, it may be finding yourself in a strange city. It maybe be depicted as an ascent or as a descent or a going beyond the horizon, but this is the adventure – it’s always the path into the unknown, through the gateway or the cave or the clashing rocks…

Weekly Photo Challenge – Wish

Relax into colour

The desk is piled high with homework and projects past due.
Lists of Christmas gifts are scribbled on post-it notes around the computer.
The vacuum cleaner is plugged in and ready to go.
Recycling sits by the door ready to be taken out.
The chicken bubbles on the back burner. The rice is poured but unrinsed.
And yet, and yet…
The faint bling and winks of brilliant colour call…
abalone-hillscape

abalone-moonscape

abalone-rivuletAn abalone shell, sitting hidden for weeks in a scrunched up paper bag on a shelf, was rediscovered this morning.
And, oh, but what worlds it holds within…
abalone-nebula

abalone-kali

abalone-snout-and-hoofs

abalone-tunnel

Weekly Photo Challenge – Relax

Tiny Steps

tiny-clouds-can-flagIs it the dark of November, that flu I just couldn’t kick, or the malignant gloom of the American election?
There are days when it feels like nothing gets done.
Days when doing the laundry is a big accomplishment.
Days when I think it’s the perfect day, free of obligations, to go down to the studio and paint – smudging and scribbling and sharpening the image, listening to music for hours – and yet somehow I never get there.
Days when I get up with last night’s promise of a morning run ringing in my ears and I flop on the couch and flake out on facebook on my phone.
Days when I’ve told myself it’s really time to finally sit down at my little corner writing desk and enter the zone – the zone of happy struggles, of exploring interior worlds, scaling memories and imaginings and sensations and the secrets of the human heart, searching for all the right words… and instead I spend hours glumly in front of the computer catching up on email.

Do you know these kind of days?
Switch out the particulars for your own personal Important Goals list that never quite happens?

Well, I’ve been pushing against the dark slide of lethargy with some new tools…
Chief among them the concept of Tiny Steps.

kaizen-book

Tiny Steps comes from the Japanese tradition of Kaizen, elaborated on in this book by Robert Maurer: One Small Step Can Change Your Life.
He says,

Kaizen is an effective, enjoyable way to achieve a specific goal, but it also extends a more profound challenge: to meet life’s constand demands for change by seeking out continual – but always small – improvement.

The key is to start small.
The key is to make it SO small you can’t NOT do it.
Reading some of the bios and creative practices of the greats can be totally intimidating – they seem to be on their game ALL the time, productive all the time – so much so that it’s a world away, unreachable.
Twyla Tharp in The Creative Habit describes her mornings –

I begin each day of my life with a ritual: I wake up at 5:30 a.m., put on my workout clothes…walk outside my Manhattan home, hail a taxi, and tell the driver to take me to the Pumping Iron gym at 91st Street and First Avenue where I work out for two hours. The ritual is not the stretching and weight training I put my body through each morning at the gym; the ritual is the cab.

Well, this is amazing, I love the sound of it, can just see the dark of the Manhattan morning and the surliness of the cab driver and the sweaty two hours at the gym, and gosh I sure wish that were my life too, but ummmmmmmm…
I can tell you right now I’m not gonna be doing that tomorrow morning. And not just cause I don’t live in Manhattan.
I mean even just thinking about how far all of that is from my life brings up all kinds of neurotic garbage and the harpies of self-flagellation begin to loom and the whole thing makes me feel like, well, if I can’t be like that, then I might as well just give up now.
But…
This is precisely where the small steps of Kaizen come in.
Maurer says –

Don’t let these common roadblocks to change make you feel so guilty or frustrated that you give up your attempts to improve.
Instead, use times of difficulty to remember that fear is the body’s gift, alerting us to a challenge. The more we care about something, the more we dream, the more fear shows up.
During the rough patches, understanding that fear is normal, and a natural sign of ambition, makes us more likely to hold onto hope and optimism – qualities that increase our willingness to take the kinds of small steps that slip right past the fear.

Did you get that last bit?
…small steps that slip right past the fear.
Okay! Now we’re talking!
A step that is so tiny it will neatly sidestep the harpies in my head. Perfect.
So, for me, a small step would be NOT to say I’m going to write a novel before the end of 2016, but to say I’m going to write for 10 minutes each morning.
10 minutes of sitting down to write is something small enough that it’s really really really easy to do.
(and if there’s a morning when even so, even though it’s a tiny step, if it doesn’t happen and I don’t show up, I’m going to remind myself that FEAR IS NORMAL, and try again the next morning)

Going back to Twyla Tharp’s story about the cab – the point that she’s making and the point that really speaks to me is the idea of creating a Ritual.
Creating a Ritual sounds to me partly like a way to make the whole thing more FUN.
But Twyla takes it even further –

Turning something into a ritual eliminates the question, Why am I doing this? By the time I give the taxi driver directions, it’s too late to wonder why I’m going to the gym and not snoozing under the warm covers of my bed…
It’s vital to establish some rituals – automatic but decisive patterns of behavior – at the beginning of the creative process, when you are most at peril of turning back, chickening out, giving up, or going the wrong way.

So for me, for my 10 minutes of writing, I’ve found this one piece of ritual I can bring in to the goal of sitting down at the little writing desk in the corner…
I light a candle.
The beautiful little glass candle holder makes me happy. The action of striking the match marks the beginning, the dancing of the flame keeps me company, and the whole thing signals to my brain that a hallowed space has been created to sit down and hold a tiny 10 minutes of writing.
corner-desk

And you, Dear Reader? Are there Rituals, Practices, Habits, Methods that have worked for you?

Please Note: All this comes from a training program I’m doing currently, called Kaizen-Muse Creativity Coaching. You might want to check it out. 🙂

Weekly Photo Challenge – Tiny

Looking back

I was in Ottawa visiting friends from back in the day, back in Montreal, and as if out of some random pocket of a time warp, my friend pulled out some tiny forgotten paintings I’d done on tiles – tiny still lives of the charming funky place we lived in together so many years ago…

bowl and hyacinth

And my gosh, it was a revelation to me – most of all, that I had more or less managed with, more or less made my way around oil paints a couple of decades ago.
I’ve been struggling with oil paints the last few months – torn between the more recent experience of a fast drying acrylic paint, the possibility of fast endless layers, and the faint memory of a rich buttery wet wet paint I was able to negotiate to some degree some decades ago…

kitchen telephone

Now, trapped in work deadlines, I am fetishizing the time ahead in the studio…how glorious it is sure to be with this new-found half-remembered confidence…

goose and duck

Happy happy summer all…

Weekly Photo Challenge – Looking Up

Honesty vs Admiration


The tourists are beginning to return to the city, and if I leave the studio door open to get a bit of a cross breeze with the window, occasionally a lost meandering tourist will make their way to the third floor of the building, and wander into the open door, curious…
There are a total of 5 of us in our large loft room – a fashion designer whose layout tables and sewing machines and bolts of fabric crowd one big corner; a landscape painter with small children who I have yet to cross paths with, but the changing toys suggest she makes appearances at odd hours; a figurative painter who has been in the space for the longest, some 6 years now, and his corner is packed full of the large portraits and expressive experiments of those years; and then Nancy and I in our tiny corner by the door.
It is more of an entranceway than studio, our little corner, but in a city like Toronto, it is what we can manage between the 2 of us, and we love it.
Yesterday I was there with the door open, and given our space, it means I am essentially in the doorway, working away – a point of interest for the 3 tourists who stumbled down the hallway.
They were not especially shy, and after a brief invitation in, went straight into the depths, shrugging by the landscape painter without much notice, and burrowing into the tightly packed corner of the figurative painter. He has some large paintings of famous people out and about – a David Bowie still in progress, Rihanna drying in a corner – and there were ooh’s and aah’s from the 2 ladies in the group.
Turning back, they passed by the bolts of fabric and noticed Nancy’s tiny corner within the corner, a few of her gorgeous pieces up on the wall. The man in their group was especially taken with Nancy’s work and the 3 of them stood there for a while pointing and discussing details.

Beltaine by Nancy Gardiner
Beltaine by Nancy Gardiner

Midsummer by Nancy Gardiner
Midsummer by Nancy Gardiner

Finally they turned towards where I was working away in my section around the door, and after interrogating me on how they might get in touch with the figurative painter, if there was a card or a website, they looked around at my various scattered sketches and experiments, and tried to find something nice to say.
IMG_20160504_195910-01
One of the women focused on the wall of sketches, and said, “well, they are certainly well drawn”, as if relieved she had found some point of concession – she could grant me that at least.
IMG_20160504_195858-01
The horse sketches are on terraskin paper, a treeless stone paper, so I told them about this, and then of course they wanted to touch it, and we focused on surfaces and textures for a while, as I showed them which ones were terraskin, which ones mylar.
The large bat that dominates one wall right now is oil on mylar, and one of the ladies said, “he looks like he… I don’t know, as though he has a purpose of some kind.”
Processed with VSCO with g3 presetMy eyes grew wide, as it occurred to me I HAD painted her with a purpose – she was a dream messenger, one of several bat dreams, and so given the repeated bat imagery, asking for attention, I’d been spending time drawing and painting the dream characters, honouring them, staying with them, listening to them as best I can.
What exactly the bat is about, what she wants to say, I still don’t know…
bat feet
But in there, in the intense focused silence of creating the images, of repeated bat drawings and paintings, I think about the strangeness of them – as if little tiny mice that one day got fed up and said, Dangit! I want to fly!
And did.
And maybe that thought is all she really needs to say…
bat fly down
And so this one comment from a stranger, not filled with flattery at all, but with a kind of faintly uncomfortable, honest relating to the image, totally made my day…

Weekly Photo Challenge – Admiration