I am staying at Rh’s house. Or not in the house proper, but in a kind of separate guest house / basement suite that she uses, leaving the main house empty.
A man comes in. He wears a balaclava over his face and chases me around, trying to rape me. I am terrified, I do NOT want this to happen. Rh chuckles, watching the action. She has planned this.
There is a pause, and the man pulls off the ski mask. He is, in fact, a kind of goofy guy, and a magician. There is no threat after all.
* * *
This dream stayed with me for a while – as the frightening part was heart-stoppingly terrifying, and the idea of a goofy magician underneath the mask totally piqued my curiosity.
A few days later I found myself at a workshop in Owen Sound with the Toltec teacher, Sergio Magaña –
We learned a “manifesting technique” that, in its series of movements, reminded me for all the world of the Magician card in the tarot deck – reaching up to the sky above, and down below to the earth in the process of creation…
What a way to begin the summer…
We stayed just outside of Owen Sound on my friends’ farm where they had some new horses, and Sauble beach is just a hop skip and jump away –
And there is a sense of buoyant optimism in the sensation of creation from this practice… It’s a technique that is done for a number of days in a row, the repetition reinforcing the sense of creative magician… even my dream world has been increasingly busy (and occasionally magical) with this practice.
* * *
On Facebook I belong to various dream groups, and recently someone posted some collages she was doing from her dreams.
They had the structure of a series of comic book frames, allowing for the shifts in the narrative from scene to scene – a technique she said she learned from a workshop with Jeremy Taylor.
We got into a bit of a conversation about working from a dream, and how sometimes later, when you look back at the original entry in your dream journal, the details can appear to be quite different from what you’ve been accentuating or extrapolating as you make art, or even have conversations about the dream.
For example, from the dream above at Rh’s house, I’d been remembering the most vivid bits of the fear and of the unexpected revelation of a magician.
Yet when I looked back to my dream journal I found that I’d had several other forgotten magician dreams before this, and within the original entry on this dream, there was a detail that “this is a game or a challenge Rh and I have”. So the chuckling Rh seems less evil in this context, and my character is then also not so much a victim as a co-creator.
* * *
There was a dream I had maybe 2 years ago of 6 dead bulls in a parking lot.
It was a terrible dream, with the stench of death in it, and the sense of tragedy of these 6 massive powerful creatures dying a lonely unceremonious death in a parking lot at night.
At the time I had no place to talk about dreams, but I can always make art, so I did painting after painting of bulls, dead or dying, wondering what the heck the dream was about.
At some point I happened on a free webinar given by some people in Vermont, and I told them the dream of the 6 bulls. They were so lovely, they listened so well, and at some point Sue said, “how do you know they were dead?”.
The possibility of seeing the dream story as a more fluid entity, of not taking the narrative as a finished, absolute, unchangeable reality ROCKED my world.
Since then there has been a large painting in the works of some very alive bulls, and even a small sculpture is in the works.
And you, Dear Reader…?
Have you found your relationship or understanding of certain dreams changes over time?
(This voyage happened a little while ago –
Got a bit too busy to complete and post it at the time, but here it is now…)
Time for the Foire papier and I’ve signed up for a hooked-up tour to see all kinds of hot shows and behind-the-scenes tours with curators and fun stuff.
In the morning on my way to the train station, rushing late onto the commuter train platform, I see a familiar face amongst the crowd – my sister!
Such a treat, such a surprise, and a chance to chat about travel plans, kids, family this and that, our 2 bashful waspy selves happily delighted at the unexpected intimacy.
Some hours later, early evening in a crowded vernissage in Old Montreal, mind blown already by the totally rad exhibit by Bharti Kher, hinting at things deeply feminine, reproductive, migratory, a cross between exquisite sensuality and mass production…
We are milling around by the bar, people-watching the funked-out Montreal artists in psychedelic shades and storm trooper boots, when across the room again I see a familiar face…
My sister-out-of-law! Another most adored human!
Not quite officially related (she is my son’s aunt, but my ex and I never married), it is wonderful to see her after some years of missing each other in passing, and there is news of new cousins in the mix, and tell me, tell me, how are all the kids?
It feels awfully apropos to be surrounded by spermatazoid specks and female shapes on this day of family, tribe, migrations and reconnections.
* * *
Next day, another 12 or 14 exhibits, but my favourite is this one, yet another amazing female artist, Elly Strik – new to me, very drawing based –
This entire room is called the “dream room”, with a huge drawing on one wall of Freud’s couch, and many smaller drawings of more intimate details on the surrounding walls.
The major portion of the show is comprised of these massive mysterious female almost-portraits… beautiful yet unknowable, huge and yet tender.
And you, Gentle Reader?
Seen any good Art lately?
I’m always engaged in some kind of awakening process…
Except when I’m not.
Except when I’m hiding, hibernating, buried down in the numbing comforts of familiarity, habits, denial, avoidance and layers and layers of shadowy elusive fear…
* * *
The jaguar’s breath is warm on my face.
The pink wet of it’s mouth shows behind the enormous teeth.
There is a nibble at my neck.
But its proximity becomes a merge and we are two as one, fused together as we tumble down down through epic layers of earth and rock hurtling towards the very center of the earth…
The jaguar is considered the sun of the underworld, is the one in charge of destroying all our negative unconscious patterns… it gets rid of fear and obstacles.
~ Sergio Magaña
* * *
Sergio is one of the teachers I started following, hoping to develop my capacity for lucid dreaming, for awakening while dreaming.
Once in a while I manage it, once in a while there’s a glimmering of consciousness while sleeping, but mostly I am unawake, unaware, and remain utterly convinced by the nightly procession of illusions.
* * *
Recently we’ve had workmen in and out with drills and hammers and sanders and plaster and paint. We’ve had to prep the apartments and then evacuate while they do some work, then we come back in and clean and reassemble, live for a few days before they announce they’re coming back for the next step of unfinished business, the cycle beginning all over again.
They are not masters of efficiency, it is annoying, and yet it has put me into a deep clean, a radical de-cluttering of the space – there have been days and days of moving furniture and vacuuming, emptying out boxes and wiping down the dust covered contents, filling up the recycling bin with reams of irrelevant papers.
Sifting through one file folder I discover print outs of the massive communication I had over many years with my friend Mike who passed a month ago. Sometimes I think I started this blog really to replace our correspondence when it dwindled some years ago after thousands and thousands of words back and forth between me in Toronto and he in St John’s.
But in this recent excavation, there was one letter in particular that jumped out, demanding attention – it was the description I gave him of a first visit to a woman – a seer, a clairvoyant, a psychic in Montreal, recommended to me by Brenda, beloved friend of several decades now.
This woman shook me to my foundations that first time I went to see her, such was her insight.
Every few years or so I go back, and while each time is bouleversant, a profound reckoning with myself, over the years the shock of her capacity to see so keenly has lessened a tiny bit, even though I am cautious to prepare myself each time for what may turn out to be a life-changing session.
In that letter to Mike, many years ago, I described this woman, my most searingly awakening catalyst person –
She sat me at a table in front of a large window that looked out across St Laurent and the mountain beyond.
She explained her way of working – that she functioned essentially as a mirror, reflecting back what she saw inside one’s self.
She said she essentially entered a kind of trance state and would likely not recognize me in the street afterwards.
She handed me a stone with an animal carving on it, asked me to hold it a moment, then hand it back to her.
After having the stone back in her hand for just a moment, she got very animated, pulled her paper and pens toward her with excitement and began to draw and speak…
Her eyes were essentially closed, but her eyelids flickered as she spoke, as if she was seeing images inside her eyelids, not looking at me.
You have spent so much energy trying to hide your vibrancy.
It is like an inner pressure, all the fire energy you have inside of you.
If you don’t let it out, it will begin to effect your health.
You have treated yourself very harshly.
Now you must learn to cultivate tenderness and gentleness towards your self.
Now there must be no more violence.
It is finished.
The way she spoke was so clear and direct and definitive and her images so frighteningly insightful, the tears rolled silently down my cheeks as I made note of her words –
This woman inside of you is like a lion.
She takes her time.
She belongs to herself as a matter of course.
I continued scribbling my notes on a page, watching her flickering face with a kind of awed fear.
Clearly, she was a witch. 400 years ago she would have been burnt at the stake.
You do not see yet fully where you are going.
But this is not based on effort, it is based on COURAGE.
You must practice taking risks, you must practice pushing the boundaries.
Train yourself not to hide, not to contract.
DO NOT HIDE BEHIND ANYTHING.
When fear comes, look at it, look into the heart of it…
The hour was up.
She helped me into my coat and kissed me on each cheek.
I found my way back down in the elevator and came outside into the beginnings of a snowstorm.
The blowing snow stung my face as I walked for several hours, unseeing, caught up in my own thoughts.
I didn’t sleep for days.
* * *
Of the many splendid teachers and resources I’ve discovered on the path in the years since, two of my favourite “awakening” people, are in fact the “awakening couple” – Chameli & Arjuna Ardagh are both teachers in their own spheres. He does something called Awakening Coaching, while she is the epicenter of Awakening Women, a yogini circle.
Arjuna says of the experience of awakening –
…I find that what is really meeting this moment, hearing sounds, seeing movement, and feeling currents of sensation is formless empty space, pregnant with infinite possibility. There is a mysterious presence, indefinable, with the capacity to embrace everything, just exactly as it is, but which in itself is nothing, just pure context, with no content. This presence contains the body but still exists, with or without the body. In this recognition, just here, just now, there are no problems and never have been. Disorienting and confusing as it may be, this realization brings a sense of peace, wonder, tremendous energy, and a feeling of love with no specific object…
~ Arjuna Ardagh
Here is Chameli –
* * *
And you, Gentle Reader?
Do you have favourite awakening agents in your life?
Weekly Photo Challenge – Awakening
Out beyond the place where we lived – a restaurant, a home, a gathering place – there was a stretch of landscape, deep ice and snow, a river and pathways still in the clutch of winter’s deep freeze.
There I found Gerald’s body.
As I stood there, feeling the violence inflicted on First Nations people again and again, he began to rise up – an ascension, a resurrection.
His back was towards me as he floated up into clouds and sky.
* * *
I turned over in bed, the disoriented waking of the morning, all identity and story still clinging to the whispers of strange images, oblique narratives, and there amongst the sheets I found a small slip of paper, the size of the paper fortune from a Chinese fortune cookie.
Where could it have come from?
Perhaps the library book disheveled in one corner of the bed?
Which would mean some sweet inspired soul had written it on a piece of paper and slid it in the book to be found by strangers…
* * *
It seems I’ve been in a deeper hibernation than usual this past winter – a number of people have been in touch asking: Where the heck are you? Are you still there???
On the one hand I’ve been intensely quiet, burrowed down inside like a bear in winter, reluctant to venture outside now that I’ve set up my studio at home…
And with a bit of a breather on the work front, just one slow-moving independent film job on my plate for the moment has meant there are not too many obligations around town…
Yet on the other hand there have been a number of planes, trains, and automobiles – a few wee winter adventures, opening up horizons and yielding the nurturing influx of friendship and art –
One, a retreat with my beloved dream teachers in Vermont
Another, a week puttering around NYC with a friend, a place I haven’t been in far too long, exploring the great city in all its glory and looking at as much art as we could…
And then a packed full long weekend in Montreal with dinner parties, vernissages, and the unfortunate news of the loss of an old dear friend made bearable in the bosom of so much love and creativity…
I’m hoping this very quiet stretch is almost over, and like a caterpillar that has been naught but a gooey cocoon for months, I’ll emerge resplendent and colourful with the coming spring, posting up a storm about dreams and painting and, with any luck, a little more travel…
We will see 🙂
Weekly Photo Challenge – Smile
There has been a lot of topsy-turvy here in our tiny household. Much transition.
The cat has been a bit stressed out at all the activity, Nervous Nellie forever waiting for the worst. It’s become a bit of a sport to tease her about her Chicken Little tendencies, while the humans stumble through Harvey, Irma, and the sabre rattling of North Korea as if everything were hunky dory.
Ah well. Who knows really.
Meanwhile, summer was…
…as summer should be.
Road trips and friends and lakes and chili hot dogs on Sauble Beach and misty river mornings and dragonflies buzzing and the sudden swarms of mosquitos on the Bruce Trail and an impromptu dinner party crammed around the tiny table of an RV.
Through it all the strange part for me was a health issue – I’m not usually a person with health issues, but 2017 has presented health issues as a distinct new concept, so there’s a new sense of the body as something potentially treacherous, fickle and demanding – an ally to be carefully courted – not the effortless ease of yesteryear.
Ah well. So be it.
Then beginning of September my boy moved out – after 23 and a half years, with the hope of a job on the horizon, he packed up his things and went to live with some friends in a hipster part of town.
Ah well. Very very happy for him.
And so with a bit of extra space at home, slowly I’m packing up my studio.
A few things are in progress on the walls, and I go over after work and look at them and feel unsure of what to do, where to begin, when to end.
I sit and look, waiting.
Waiting for some kind of sign, some kind of indication of what’s the next move…
Weekly Photo Challenge – Waiting
The endless blue of the sky.
Approaching the island across the lake, I think of the book I’ve been reading: The Zen of Creativity : Cultivating Your Artistic Life by John Daido Loori.
He has a series of exercises on “Direct Experience” or “Experiencing without Identifying” – exercises closely related to the practice of mindful meditation, with the intention of quieting the mind and seeking to simply feel or experience things before the thoughts come in.
Most of us – seasoned meditators included – will find that it is very difficult simply to listen. We hear sounds and immediately name them, or we associate them with something else, we compare them, analyze them, or try to find their source. It soon gets boring just to listen and our minds wander. It’s not easy to let things simply be and let go of our running commentary.
As we approached the island I practiced with these trees –
Trying to just feel the trees without thinking about what KIND of trees, or about their size or colour or all the things one could think about trees.
Even so, even as I sensed them as a group, as a collective presence, an alive beingness in front of us, I found myself searching for the words to describe the sensations.
And again, trying to just allow the experience of the pebbles… much subtler, so small and ubiquitous, almost imperceptible yet hinting at eternity…
And from this place one might take a photograph.
One way that our spiritual power begins to manifest is through the emergence of the intuitive aspect of our consciousness. This is one of the reasons why Zen and creativity are so intimately linked. Creativity is also an expression of our intuitive aspect. Getting in touch with our intuition helps us to enter the flow of life, of a universe that is in a constant state of becoming. When we tap into our intuition, whether in our art or simply in the day-to-day activities of our lives, we feel a part of this creative continuum.
How can any of us gain entry into this unique way of perceiving the universe, where every breath is the first breath, every sight and sound is fresh penetrating the universe, reaching everywhere?
At one time or another, each of us has experienced this way of perceiving. It comes upon us unexpectedly. Suddenly the music moves into our being and our body responds. There is no thought, judgment, or conscious effort. The music freely passes through us. We pick up a brush and the painting flows from its tip. the poem creates itself, almost without effort
A photo here and there, I also pick up strange things from the ground and bring them inside.
I’m teaching myself to draw on the iPad – it does not yet feel very Zen at all, it is still a lot about thinking through how the mechanics work, but there is a certain amount of non-thinking possible in the presence of strange things, just looking at them and trying to sense and feel the way into a drawing rather than think.
Weekly Photo Challenge – Texture