There has been a lot of topsy-turvy here in our tiny household. Much transition.
The cat has been a bit stressed out at all the activity, Nervous Nellie forever waiting for the worst. It’s become a bit of a sport to tease her about her Chicken Little tendencies, while the humans stumble through Harvey, Irma, and the sabre rattling of North Korea as if everything were hunky dory.
Ah well. Who knows really.
Meanwhile, summer was…
…as summer should be.
Road trips and friends and lakes and chili hot dogs on Sauble Beach and misty river mornings and dragonflies buzzing and the sudden swarms of mosquitos on the Bruce Trail and an impromptu dinner party crammed around the tiny table of an RV.
Through it all the strange part for me was a health issue – I’m not usually a person with health issues, but 2017 has presented health issues as a distinct new concept, so there’s a new sense of the body as something potentially treacherous, fickle and demanding – an ally to be carefully courted – not the effortless ease of yesteryear.
Ah well. So be it.
Then beginning of September my boy moved out – after 23 and a half years, with the hope of a job on the horizon, he packed up his things and went to live with some friends in a hipster part of town.
Ah well. Very very happy for him.
And so with a bit of extra space at home, slowly I’m packing up my studio.
A few things are in progress on the walls, and I go over after work and look at them and feel unsure of what to do, where to begin, when to end.
I sit and look, waiting.
Waiting for some kind of sign, some kind of indication of what’s the next move…
Approaching the island across the lake, I think of the book I’ve been reading: The Zen of Creativity : Cultivating Your Artistic Life by John Daido Loori.
He has a series of exercises on “Direct Experience” or “Experiencing without Identifying” – exercises closely related to the practice of mindful meditation, with the intention of quieting the mind and seeking to simply feel or experience things before the thoughts come in.
Most of us – seasoned meditators included – will find that it is very difficult simply to listen. We hear sounds and immediately name them, or we associate them with something else, we compare them, analyze them, or try to find their source. It soon gets boring just to listen and our minds wander. It’s not easy to let things simply be and let go of our running commentary.
As we approached the island I practiced with these trees –
Trying to just feel the trees without thinking about what KIND of trees, or about their size or colour or all the things one could think about trees.
Even so, even as I sensed them as a group, as a collective presence, an alive beingness in front of us, I found myself searching for the words to describe the sensations.
And again, trying to just allow the experience of the pebbles… much subtler, so small and ubiquitous, almost imperceptible yet hinting at eternity…
And from this place one might take a photograph.
One way that our spiritual power begins to manifest is through the emergence of the intuitive aspect of our consciousness. This is one of the reasons why Zen and creativity are so intimately linked. Creativity is also an expression of our intuitive aspect. Getting in touch with our intuition helps us to enter the flow of life, of a universe that is in a constant state of becoming. When we tap into our intuition, whether in our art or simply in the day-to-day activities of our lives, we feel a part of this creative continuum.
How can any of us gain entry into this unique way of perceiving the universe, where every breath is the first breath, every sight and sound is fresh penetrating the universe, reaching everywhere?
At one time or another, each of us has experienced this way of perceiving. It comes upon us unexpectedly. Suddenly the music moves into our being and our body responds. There is no thought, judgment, or conscious effort. The music freely passes through us. We pick up a brush and the painting flows from its tip. the poem creates itself, almost without effort
A photo here and there, I also pick up strange things from the ground and bring them inside.
I’m teaching myself to draw on the iPad – it does not yet feel very Zen at all, it is still a lot about thinking through how the mechanics work, but there is a certain amount of non-thinking possible in the presence of strange things, just looking at them and trying to sense and feel the way into a drawing rather than think.
Work has been more than a little intense lately – a good thing, of course – but the rare free moments are spent with friends or scribbling at the studio or, as spring springs and the weather gets nice, seeking to carve out wee moments that allow a few breaths of connection with nature.
In the mornings, if I hover at home for long enough, I can hear the coo of the turtle doves – maybe my most favourite sound ever – their gentle melancholy coos so delicious I just can’t rush myself out to the bus and begin the descent into the city, moving through the increasing urbanization into downtown, the sea of condo-building cranes and growing gridlock, to sit perched alone in a room with a computer.
If I opt to bike or walk a ways before hitching up with some form of public transit, there’s the kind of long short cut through the park.
And well, look who’s here – the rough croaks from the ponds and puddles all along the flooded walkway freeze time and I squat to take a closer look. Who cares if I’m late? I mean really – let’s talk priorities. There is a rarely seen friend here, the moment suddently so exquisite, it’s impossible to rush.
All the times with frogs come back to me – the streams filled with tadpoles when we were kids, the rims of ponds and lakes, long slippery legs swimming amongst the lilypads…
One of the jobs that’s had me busy is with one of my most beloved friends, Nicky – making a film of the play she did – a kind of hybrid of documentary meets play on film. Oh, her breathtaking performance – gives me goosebumps still after so many viewings. But the lines also follow me through the city, their poetry –
Love is love, and hard enough to find.
Oh indeed. It comes how it comes.
So when the cat, the center of our little home universe, gets diagnosed with something that will cost an extra $60 / month in medication for the rest of her life and griping about it to Nicky in the afternoon at her kitchen table she shrugs in a way to suggest maybe it’s time to rethink…
Oh but no.
Love is love, and hard enough to find.
Heading home at the end of the day, I’ve a bit of a long, elaborate route involving 3 buses, all to be able to watch the evening skies and shifting neighbourhoods and avoid the bad air and dank dark underground of the subways.
The streetcars on Queen have been replaced with buses and by about Carlaw at 8:30 or 9 on a Friday, heading east from the studio after work it occurs to me, Hey, I wonder if I should text Tom & Bea…? Cause they live somewhere along the route here in the east end and it’s Friday…
Tom & Bea arrived in my life in the strangest way – when my husband arrived from Cuba, the 2nd day he was in the country we went down to Harbourfront to catch a free concert with Femi Kuti.
Like, just soak that in for a moment – a free concert with Femi Kuti –
Sometimes Canada just rocks.
Anyways there we were, milling around in the crowds in the beer tent, my husband fresh off the plane from Cuba, and a woman stops and says to him: Hey! I know you!
That was Bea. With her husband Tom. They’d been tourists in Cuba, and well, whadyaknow, small world.
Right away there was something so familiar about them – Tom lanky with a sideways smile and a glass of beer, Bea vibrant and beautiful and laughing and always moving – there was almost a kind of deja vu, like I KNOW these people.
Several years and a divorce later here I am on the Queen St bus wondering if I should drop Tom & Bea a line.
Even just saying their names makes me happy, makes me think of the kids books, Ant & Bee –
But no, no, it’s late already, too late to be starting evening plans.
Until the bus passes the patio of that Cottage joint on the south side just after Leslie, and I glance over and could swear that’s Tom stretching to make a point to the fellow beside him at a table right there in the middle in the thick of things.
Without thinking, I scramble to jump off the bus.
What’s the worst that could happen? Maybe it’s not them?
I can always catch the next bus.
Totally worth the risk…
There has been a lot of topsy-turvy here in our tiny household. Much transition.
…as summer should be.
follow your nose 