The Sun Came Out

The last few days the weather in Toronto has been increasingly amazing. Each day warmer and sunnier than the last. Gorgeous. Record breaking.

As a Brazilian friend once said: It must be hard for Canadians to be against climate change…

Oh yeah. When you get September style weather in November – how many people have I seen in shorts the last couple of days?

However, the week was still a bit tense as the entire world watched the slow election results in the States, and here on the backside of the lakefront, there is endless construction, so it’s never exactly peaceful … I swear in 10 years this neighbourhood will be the bomb, but right now…

And then suddenly it’s a Saturday and it’s warm and sunny and since first thing at daybreak droves of cyclists have been out on the bike path. I take a few minutes to wash down the balcony, cause all the construction dust, not to mention all the bird poo that’s been piling up since I started putting food out for the birds…

And it’s shaping up to be just a fantastic Saturday already when they finally announce Joe Biden as the winner of the election, and BOOM

Everyone’s outside. Up and down the boardwalk.

It’s just so much good all at once, all of a sudden.

Through the happy active walkers, one guy rides by on his e-bike, a boom box blasting…

A woman in the park dances free and expressive, a tiny creative figure all on her own….

Passing the family on the next bench, a little girl sings Twinkle twinkle, little star…

And rounding the next corner a few guys have set up one heck of a powerful sound system on one of the picnic tables and are clearly intent on starting a party… deep house mix…

Each group of people rounding the corner lights up as they land into the sound bubble of booming tunes. A little girl appears, claps, skips, and makes a b-line for the music, her grandma trailing behind…

Back home I put out new food for the birds, turn up the tunes, and dance on the balcony as the sun sets on a fabulous Saturday …

Lens Artists – The Sun Will Come Out

Sun’s up

Sun’s up, uuh huh, looks okay
The world survives into another day
And I’m thinking about eternity
Some kind of ecstasy got a hold on me

It came on the radio a couple of days ago as I was puttering around the studio,
an old favourite from way way back in the day –

I had another dream about lions at the door
They weren’t half as frightening as they were before
But I’m thinking about eternity
Some kind of ecstasy got a hold on me

I looked around and chuckled –

I’m surrounded by them these days, the lions.
And yes, they were there at the door, in a dream,
and not half as frightening…
In fact they were lolling on the landing,
rolling on their backs, showing their tummies,
as if asking for a belly rub.

The big cats have been frequent dream visitors for some years now, so I pay attention, I work with them.
Not in any fancy complicated way,
more just in a way of being with them, of staying with them,
hangin’ with them, feeling them, and drawing them…

Recently The Shift Network had a “Dreamwork Summit” and gathered a bunch of interesting contemporary thinkers on dreaming to each give a talk and present their methods.
A few of my faves who I’ve worked with were there – Robert Moss and Toko-pa Turner, Sandra Ingerman and Sergio Magaña and Charlie Morley –
but I found I was especially drawn to a couple of guys whose work I’ve only read in books –
Robert Bosnak and Rodger Kamenetz.
Both of them talked about the phenomenology of dreaming.

Bosnak elaborates in Tracks in the Wilderness of Dreaming,

The dream story is not the dream itself.
The dream itself is a texture woven of space and time inside which we find ourselves.
During the dream we believe we are awake, in the same way that we believe we are awake when we truly are…
This is one of the few laws of human experience that hold true the world over.
The ‘I’ in the dream lives inside the dreamworld with the unshakable conviction that the surrounding reality is, indeed, utterly real.
Each dream arouses within us the conviction that we are in our waking lives.
~Robert Bosnak

With this unshakable conviction,
believing utterly and truly that it was happening as it happened,
I had a dream a couple of months ago – a nightmare, really.
In the dream, I (an I that was not entirely me, but somewhat somehow)
had been designated contaminated, or contagious, or faulty in some way,
and was given a bomb to hold against my soft belly.
And I lay there waiting for it to explode,
praying only that death would be fast.

Not a fun dream to take to the studio.
Not a fun dream in any way.
But as I let myself live with it,
as I looked long and hard at my day-to-day life,
it proved very instructive.

Kamenetz writes in The History of Last Night’s Dream

The dream wants to show us inner space.
It shows our predicament, how we really live.
But you have to be willing to feel something about your predicament, because there’s no other way in…
The special language of dreams is forceful, poetic, metaphorical…
You have to learn what causes your predicament and overcome it.
~ Rodger Kamenetz

And so I began to make a few changes.
Obvious things – started removing some unhealthy habits and initiating healthier ones.
But with these subtle changes came a surprisingly enormous emotional shift,
an energy and optimism and buoyancy I thought had fled forever with the onset of middle age.
And then I came across a quote from Sergio

Often when we die in a dream
it denotes favourable changes in our life,
even if the death occurs in a violent manner
and our conditioning leads us to interpret the dream in a negative way.
~Sergio Magaña

This reminded me of the interpretations of the Death card in tarot decks,
a frightening card to see in a reading,
that is usually not entirely what it seems –

Death is necessary for new life.
Without the old growth dying and decomposing into the soil through fall and winter, the new buds could not sprout in the spring.
Without death, nothing could change.
~Rachel Pollack

Or even more radically –

Initiation rites always led up to a simulated death and rebirth.
The initiate is led to believe that he or she is actually about to die.
Everything is done to make this death as real as possible so that the ego will be tricked and in fact experience that dreaded dissolution.
Then, when the initiate is ‘reborn’ he or she experiences a new maturity and a new freedom of energy.
~Rachel Pollack

Now this thought I love –
That the dreams contain their own processes of rites of initiation,
their own shamanic rituals,
their own journeys to power animals.

And to leave you with some of that buoyancy and optimism I’ve been feelin’,
do yourself a favour and have a listen –

And in case you’re wanting some more of that – 

Happy 2019!!!

Natural Friends

Work has been more than a little intense lately – a good thing, of course – but the rare free moments are spent with friends or scribbling at the studio or, as spring springs and the weather gets nice, seeking to carve out wee moments that allow a few breaths of connection with nature.
In the mornings, if I hover at home for long enough, I can hear the coo of the turtle doves – maybe my most favourite sound ever – their gentle melancholy coos so delicious I just can’t rush myself out to the bus and begin the descent into the city, moving through the increasing urbanization into downtown, the sea of condo-building cranes and growing gridlock, to sit perched alone in a room with a computer.
If I opt to bike or walk a ways before hitching up with some form of public transit, there’s the kind of long short cut through the park.
And well, look who’s here – the rough croaks from the ponds and puddles all along the flooded walkway freeze time and I squat to take a closer look. Who cares if I’m late? I mean really – let’s talk priorities. There is a rarely seen friend here, the moment suddently so exquisite, it’s impossible to rush.

All the times with frogs come back to me – the streams filled with tadpoles when we were kids, the rims of ponds and lakes, long slippery legs swimming amongst the lilypads…

One of the jobs that’s had me busy is with one of my most beloved friends, Nicky – making a film of the play she did – a kind of hybrid of documentary meets play on film. Oh, her breathtaking performance – gives me goosebumps still after so many viewings. But the lines also follow me through the city, their poetry –

Love is love, and hard enough to find.

Oh indeed. It comes how it comes.
So when the cat, the center of our little home universe, gets diagnosed with something that will cost an extra $60 / month in medication for the rest of her life and griping about it to Nicky in the afternoon at her kitchen table she shrugs in a way to suggest maybe it’s time to rethink…
Oh but no.

Love is love, and hard enough to find.

Heading home at the end of the day, I’ve a bit of a long, elaborate route involving 3 buses, all to be able to watch the evening skies and shifting neighbourhoods and avoid the bad air and dank dark underground of the subways.
The streetcars on Queen have been replaced with buses and by about Carlaw at 8:30 or 9 on a Friday, heading east from the studio after work it occurs to me, Hey, I wonder if I should text Tom & Bea…? Cause they live somewhere along the route here in the east end and it’s Friday…
Tom & Bea arrived in my life in the strangest way – when my husband arrived from Cuba, the 2nd day he was in the country we went down to Harbourfront to catch a free concert with Femi Kuti.
Like, just soak that in for a moment – a free concert with Femi Kuti –

Sometimes Canada just rocks.
Anyways there we were, milling around in the crowds in the beer tent, my husband fresh off the plane from Cuba, and a woman stops and says to him: Hey! I know you!
That was Bea. With her husband Tom. They’d been tourists in Cuba, and well, whadyaknow, small world.
Right away there was something so familiar about them – Tom lanky with a sideways smile and a glass of beer, Bea vibrant and beautiful and laughing and always moving – there was almost a kind of deja vu, like I KNOW these people.
Several years and a divorce later here I am on the Queen St bus wondering if I should drop Tom & Bea a line.
Even just saying their names makes me happy, makes me think of the kids books, Ant & Bee –

But no, no, it’s late already, too late to be starting evening plans.
Until the bus passes the patio of that Cottage joint on the south side just after Leslie, and I glance over and could swear that’s Tom stretching to make a point to the fellow beside him at a table right there in the middle in the thick of things.
Without thinking, I scramble to jump off the bus.
What’s the worst that could happen? Maybe it’s not them?
I can always catch the next bus.
Totally worth the risk…

Love is love and hard enough to find.

Weekly Photo Challenge – Friend

Call of The Fox

She turned to me, her blue eyes faintly distant, mysterious and said:
I had a dream of a fox.
But when I asked the fox what he wanted, he said:

I am here for Kat.
I have a message for Kat.

We were sitting at the breakfast table, the three of us.
A few days together and we’d taken up the habit of sharing dreams while we figured out coffee and food, it feeling a natural, rich way to begin the day.
But this was different – this was A Message.
And the thing was – I hadn’t even told them the story about the fox.

car in barrie

There’d been too much going on – there was that crazy night in Barrie with the lousy car, being saved by our angel Hedy, then appeasing the Goddesses of crossroads out by the car rental joint on the highway and the drive to our place, and days with the urgency to get outside, get hot and get in the water and swim, have a real summer, make great food, drink wine and sit in the dark on the porch looking at stars and watching the bats dive for bugs.

trees blur
So I hadn’t told them the story of the fox.
I mean I’d told them about the place I’d been the weekend before – about the little cabins in the woods, the amazing locally-sourced food, the moon rising over the lake, and singing in the dark of the sauna and diving in the cold night lake, rinse, repeat, rinse, repeat, camp songs and show songs and snippets of Tragically Hip songs, all of us trying to remember the words cause it was the night of their final concert and all of Canada was said to be tuning in.

lake wide

Courage, my word
It didn’t come, it doesn’t matter
Courage, your word
It didn’t come, it doesn’t matter
Courage, my word
It didn’t come, it doesn’t matter
Courage, it couldn’t come at a worse time

The people were wonderful and strange: the core co-facilitators of the shamanic circle, a bunch of us newbies from various Ontario towns, and a young, fascinating First Nations fellow who, despite his youth, brought what felt like lifetimes of ceremonial experience.
It was the Saturday morning when I overheard him talking to my cabin-mate about a fox. Apparently on her drive up she’d gotten lost and ended up wandering on some back road where she saw a dead fox. For some reason she couldn’t explain, she stopped the car and gathered up the fox and brought it with her.
“I mean I don’t make a habit of picking up roadkill”, she said, still mystified.
That afternoon, the First Nations fellow led us in a ceremony to reactivate a labyrinth on the land, using a massive quartz crystal, tobacco leaves, water from lake Atitlan, and fur from the tip of the dead fox’s tail.
Most of the group circled into the center of the labyrinth, but 4 of us stood menhir-like in the 4 directions.
I stood in the West, my eyes closed while we sang as they danced their way to the middle point of the labyrinth to plant tobacco, quartz, water and fox. As I stood, I felt, saw, experienced the entire event as a spinning, galactic vortex of energy churning up and out into the sky – it felt so powerful, so forceful, I felt I might fall over.

vortex fern

The weekend was full of these kind of Experiences – this one with the fox’s tail at the labyrinth particularly intense.
But I hadn’t told my friends all these particulars before that morning at the breakfast table, before my blue-eyed friend said:
“I dreamt of a fox and he said he’d come for you”.
It all seemed too personal in a way.
Or maybe it was that such a powerful internal experience will never really translate into words, words will always seem dry and inadequate.
Or maybe I thought even to talk about it would dissipate the power in some way, cause it’ll all just sound hokey.
But as the impact of the whole thing began to sink in – that a fox had come to her in a dream to say: “I have a message for Kat” – the three of us looked at each other and wondered…
What message?
What did the fox want?
Why like this?
Why not just come to me directly?

fox drawing bluish

While I can’t speak for the fox, while I wonder if there was more to the message I should be able to fathom somehow, I’ve begun to think that the simplicity of his apparition to her was a message in itself.
It was a way to really REALLY get my attention.
Because it would be so easy for me to say to myself, “Oh, the things I felt that weekend were just my imagination”.
Or, “This whole idea of spirits is all very well, but…”
Repeatedly I’ve heard various teachers on my path say they’d spent months, even years on the path of shamanism, of ceremony and journeying and so on, but STILL they doubted this whole business of “spirits”…
Until something happens that hits them over the head and makes it all so very plain.

Looking back

I was in Ottawa visiting friends from back in the day, back in Montreal, and as if out of some random pocket of a time warp, my friend pulled out some tiny forgotten paintings I’d done on tiles – tiny still lives of the charming funky place we lived in together so many years ago…

bowl and hyacinth

And my gosh, it was a revelation to me – most of all, that I had more or less managed with, more or less made my way around oil paints a couple of decades ago.
I’ve been struggling with oil paints the last few months – torn between the more recent experience of a fast drying acrylic paint, the possibility of fast endless layers, and the faint memory of a rich buttery wet wet paint I was able to negotiate to some degree some decades ago…

kitchen telephone

Now, trapped in work deadlines, I am fetishizing the time ahead in the studio…how glorious it is sure to be with this new-found half-remembered confidence…

goose and duck

Happy happy summer all…

Weekly Photo Challenge – Looking Up

The Great Curve

Sometimes the world has a load of questions
Seems like the world knows nothing at all
The world is near but it’s out of reach
Some people touch it…but they can’t hold on.

peony burst

She is moving to describe the world
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
She has messages for everyone
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
She is moving by remote control
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
Hands that move her are invisible
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)

peony busy abstract exp1

The world has a way of looking at people
Sometimes we feel that the world is wrong
She loves the world, and all the people in it
She shakes ’em up when she start to walk

peony - points and folds exp1

The world moves on a woman’s hips
The world moves and it swivels and bops
The world moves on a woman’s hips
The world moves and it bounces and hops

peony deep dive exp1

Weekly Photo Challenge – Curve

Out of Time

Today a man unwound his long arm from somewhere behind his body and stretched his hand towards me, saying, “I have to warn you, I’m a transgendered person and my name is Eve”.
In his hand was an apple.
***
Yesterday a man standing beside me gently tugged my hair, calling me “cute”, “beautiful”, teasing and playing with his words, saying, “if you show me yours, I’ll show you mine”.
I shook his hand and bid him adieu.
***
A few weeks ago I met a man. He came announced, in a way – the friend of a friend and an elaborate story about how she hadn’t heard from him for 20 years, but he’d heard somehow through the grapevine about how she was going through a very very tough time.
He’d made the trip on horseback from his farm to the local town where there was a phone he could use to make the international call to her, the call to say, “I heard… and I am so very sorry”.
The way she tells the story, they were chatting away after so many years, catching up on many fronts, and there was a strange shuffling whinny sound that startled the conversation, making her ask, “What’s that?”, and he answered, “Oh, that’s the horse!”, as if he was of course still mounted on a horse there by some outdoor phone in a tiny little town in the mountains.
She’d told me the story, and we’d chuckled away together at the absurdity of such a thing in 2015.

Some weeks later at an opening at her gallery in Montreal where I am attending with a few pieces in the show – a fun, relaxed affair, with enough friends and new encounters to make it all feel just right, and at the end of the afternoon, milling around, why there is Harry – brilliant, hilarious Harry who I’ve adored since I was a wee little 20-year-old bohemian lost anglo soul in Montreal, and he’d always be an essential figure in the mix for all kinds of events and openings and dinners and all of that back in the day.

At some point he’d started dating my friend who has the gallery and this was in fact how I met her. I knew him, he met and fell in love with her, they became an item, and we began to go out to things the 3 of us, and well… I was smitten with her – a tiny, exquisitely beautiful Latina, ferocious, talented, sexy as all hell, brilliant.
In Harry’s car, coming back from a Buffy Sainte-Marie concert where the Neville Brothers had also featured, she sat backwards in the front seat, facing me – her perfect Inca-princess face raving about the amazing beauty and resilience of Buffy’s spirit. Harry drove and laughed and agreed and we all rode the wave of the moon, the music, whatever drugs we were on at the time. I was in love with her, hands down.

Oh so many decades later, and children and jobs and relationships and different cities and we all see each other less and less, except now, this moment, a tragedy has brought us all together, older, broken-hearted, perhaps more forgiving than we ever were.
We end up going out afterwards – Harry and my friend and me and the guy who rides a horse to get to a phone who has come into town on an overnight bus in a gesture of support.
Nobody has any money. We eat the bare minimum and go back to my friend’s place to drink plonk.

In the deep dark of a Montreal balcony at night things start to get intense in ways I miss, ways I long for – arguments about art and politics and love and aesthetics and priorities in life.
There’s a point where it becomes clear that my friend and Harry – ex-lovers who haven’t seen each other for many many years – are hashing out old stuff they need to work out between them alone. I head inside from the balcony – inside to a couch where it looks like I’m going to spend the night.
Guy Who Rides Horses Through Mountains comes in as well and says he’d like to show me something – photos of his life on his farm in the mountains, and the horses and dogs and whatnot.
Genius, I think, as in fact, I’m curious about this fellow who supposedly lives so far off the grid even access to a phone call takes 4 hours by horse. Yes please, let’s see what this looks like.

He has a little point and shoot camera. He apologizes that the photos may cover many years and many situations. But there are many magical moments in his photos – a series of strange fauna atop the mountains; the trusting happy bellies of his dogs, giving it up for a stroke of the belly; the work of local artists, painters and the like; the horses and also donkeys, whose step is apparently more sure through the narrow mountain paths; a strangely compelling series of metal fence grids that make me remember a dream that slips away before I can grasp it fully…
It is an awkwardly intimate moment there on the couch – two strangers sharing a moment… And we each pull away, diving into sleep.
In the morning I’m up early, packing my bags, heading north with other friends.
I give Guy Who Rides Horses my business card, as he and I will both be in Toronto by next weekend, so we could conceivably meet again there – a beer in Kensington Market, a drop-in to the show I’m doing on the weekend.
But I know already, even as I suggest it, that none of it will ever happen…

On and Off the Grid

Although we’d signed the lease early Tuesday morning, we couldn’t move in ’til Friday night – it was that kind of week, has been that kind of month.
We packed the car, dumped our stuff, breathed in and looked around and vowed to come back soon as we could.
Can you see our space, up there in the bright light on the third floor?IMG_20150918_203402-01-01Tuesday had been the final preparation of the large colour images for the dress rehearsal that night and then show opening Wednesday. Printing and mounting this combination of old photo resuscitation and photoshop art that I started to really love doing – Photoshop is growing on me.
Can you see those strange women, collaged and cloaked there in their layers of colours and textures and doodads?20150919_195216_HDR-01Wednesday was troubles hanging the dang pieces on the brick walls and printing black & white pictures for the charity show on Thursday.
Thursday was cutting the black and white prints and wrangling the little pieces of paper into the metal-grid-frame thingy I’d found that seemed like the perfect old-fashioned new-fangled gizmo for the subject.
Can you see all the different images, tucked under, beneath, and behind each other?imageFriday was packing, cleaning, preparation for Saturday’s art fair, and then by evening the dashed move into the new studio.
Then running late, Saturday morning, the damn grid walls that have haunted my summer at art fairs here and there – the absolute necessity of them, the awkward unwieldy height of them, whether they have enough space between the rows to actually hang the resin pieces on them.
Everyone’s fascinated by the resin – they love hearing about the process – the blowtorches, the drying time, the risk of dust and bubbles, the sanding afterwards.
Can you see the grid walls, there sustaining everything, underneath all the shiny, crooked art?wpid-wp-1442869447858.jpegThen finally Sunday, at long last I am on my bike and off in the direction of the new studio.
It is a gorgeous, sunny day, blue blue skies stretching everywhere as I pass kites and kids on the beach, along unknown bike trails at the bottom of the city, and onto long stretches of path beside abandoned train tracks.
It’s the old grid of the city, the old infrastructure, the remnants of how things used to run down here.wpid-wp-1442869985683.jpeg

The whole way there, in amongst the trees, the paths, along the beach and finally even along the roads, the train tracks, the crumbling highways, there is movement. Monarch butterflies flit everywhere. Every few feet is another flutter of wings, recklessly spiralling up up up into the sky.
Can you see this one, tiny in the blue, making his way up and over the grid supports of the motorway?wpid-wp-1442869994939.jpegMigration season. Everywhere they’re finding their way to the lakefront to launch themselves on their insane, remarkable, magical journey down to the mountains of Mexico.
The fragility. The resilience.
I push on.
Bridges crisscross the opaque brown river, and it feels like the stinking bowels, the underbelly of the city.
Men sit amongst the bushes with fishing lines outstretched into the filthy water. Very “off the grid” living.wpid-wp-1442869455143.jpegFinally I am IN the new studio, full of the sights of the ride here.
The sun pours in the windows.
I have the whole space to myself for now.wpid-20150920_142512_hdr-01.jpegWeekly Photo Challenge – Grid

Change in motion

vic park bridge sunriseLately I’ve been thinking a lot about change.

It’s something I think about even when I’m out messin around with my camera – I have a new camera, it’s a delight, but I’m still learning all of it’s functions, all the little buttons and buried menus and options, all that fancy digital stuff.

So it’s a change.

mist on pondAnd I’ll be out trying something old or trying something new, and it doesn’t always work out, but it makes me think. And one of the things I think is about is that strange human thing where we resist change, even when it’s for the good, how we tend to always seek the familiar, the known, and want to stay there, because we don’t know what it’s gonna be like on the other side, even if we know we want to need to change, want to need to go in a new direction to a new place.

For example, say you want to lose 30 lbs, and so you know you need to eat less and exercise more, but in a kind of frenzied fit of self-sabotage, you start to eat more and move your body even less, as if some part of you is digging in its heels like a toddler saying, NO. No way. Not doing that.

And you get stuck in this tense place of resistance.

I’ve been feeling this lately, a kind of vague angst that I suspect may actually be a good sign, that I’m on the verge of some kind of movement, some shift. Because I’ve been looking for, pushing for changes that need to happen in my life, and it isn’t comfortable, what I’m feeling these days, it feels like pressure –

InteractiveForceField

Resistance is a natural biological function that shows up when our status quo is threatened.
Change affects us. As we begin to do things differently, we ourselves change. We can’t help but become different people as the activities that we participate in, the habits that pervade our lives shape us, re-shape us.
Clearly we all have fears…that keep our Current Ways of Being Intact.
And: even though we want to be living differently, we secretly hope that WE won’t have to change to get there.
We all have our own ways of preventing the death of a self: who we take ourselves to be. Right here. Now.
~ Joanne Hunt

bird in bullrushesIn the park, early in the morning, I was thinking about this. There was a bird in the stalks of the bullrushes. I wanted to get a picture of him. In my head was a photo I took with my old camera – if only I could do something kinda like that but with this camera with more pixels and just the right light in the bullrushes, then for sure it’d be the bomb…
bird hanging on w colorBut birds in motion are always a challenge, and at the same time I was trying to figure out the back button manual focus gizmo on the camera, and it only seemed to activate when you moved the focus ring, and would slip back out to autofocus if you lifted your thumb from it, and meanwhile the bird was moving around between the stalks and I kept losing track of him. Tricky stuff. I may have cursed. I hated and loved the new camera. And I was almost about to get the whole thing coming together when the bird flew away.bird leaving rushes newAfter standing sadly for a moment, waiting in vain for the bird to come back, I realized of course it was okay. What was really happening in that moment was about Practice. To change means to anticipate the resistance, and to lean into the resistance is to practice. Learning the new camera is practice, in the same way learning a new way of being is not a one shot overnight thing, it happens within practice.

Expect the resistance. Anticipate the resistance.

And practice.
sun in tree
Weekly Photo Challenge – Motion

Planetary Ephemera

Just before the corner at Yonge and Eglinton, I look up.
There, between the towering office and condo buildings, at this quintessential Toronto corner, I see a handful of planets.
Big. Close. Coloured like Easter eggs.
A couple of them are stripy and one has big gold stars on it like when you were a kid and got a gold star sticker from the teacher.
In a flash, I remember, Oh oh oh! Sergio taught us to make a wish, to ask the dream for what we want whenever we see gold or silver!
What do I want?
This is it, this is it, what do I really really really want….?
Abundance.
Whatever that means, whatever form it takes, just simply, abundance.
And I ask the gold stars on the easter egg planets in the sky at Yonge & Eglinton for abundance.
photoThe weekend is filled with friends and laughter, and by Sunday morning I make it to dance class for the first time in months and there by the door as we’re pulling on our socks, the conversation turns to an old film I cut, and these amazing ladies oooh and aaahh about how much they love that film, and what a good job, what a great film, and suddenly I realize, it occurs to me that I love my life. I love my friends, I love my work, where it has taken me, how it has touched lives. I love these people I know, people I meet in passing, the friends and teachers and talents and characters and stories and places I have known along the way.
And it doesn’t stop there. No, that’s just the beginning. Next there is an acceptance into a photo show, an invitation to join an online writing course with an amazing teacher, Em’s delightful taunting temptations to cross the big pond, and then, so exquisitely random, a super-talented musician in Australia lands upon a drawing of a lion I did and wants to use it to accompany his beautiful song about his daughter –

In whatever form it takes…
It sure as heck feels like abundance…
Beaming with gratitude…
Kat
photoThese were done with the Skyview app
Weekly Photo Challenge – Ephemeral

In the desert

We were walking along, my son and I – it felt like that trip to Arizona when he was 10 or 11 and wore his city kid shades on the horse ride out into the desert and Bill, who led us out on our little horse-riding expedition called him “cowboy” over and over and told him to watch for rattlers in amongst the stones.
But we were walking this time, and as we turned into a small dry gorge, in amongst the boulders and caves and stones there were all kinds of snakes, multi-coloured snakes, beautiful in all their patterns and brilliant colour combinations.
Probably not very safe though, I thought, so I suggested we’d best leave this small canyon, turning us both back towards the entrance.
But there, crouched and waiting, silent and watching from the rocks, were dozens and dozens and dozens of black panthers.
Tails flicked in the sun. Whiskers twitched slightly in the air.
panther collage
There was no easy way out of this little room amongst the stones we’d stepped into – snakes on one side and panthers on the other.
I hoisted my son onto my back, began to flap my arms, and lifted us off the ground into the sky.

4th, maybe 5th black panther dream in the last couple of months.
Been reading up on ’em.
From Ted Andrews –

In China there were five mythic cats, sometimes painted like tigers or leopards. The black reigns in the north with winter as its season of power, and water its most effective element. This is the element of the feminine. This is the totem of greater assertion of the feminine in all her aspects: child, virgin, seductress, mother, warrioress, seeress, old wise woman…
To the Indians of North and South America, the jaguar especially in the form of the black panther, was endowed with great magic and power… the black panther was the god of darkness and could cause eclipses by swallowing the sun. This reflects the tremendous power inherent within the feminine forces.

Gosh. I realize now it was probably one of those dreams where I should have faced the threat, the fear, asked it what it wanted, and made it an ally.
As Robert Moss suggests –

Trying to escape dream challenges by fleeing back into ordinary reality is a poor life choice. The issues we confront, or fail to confront, in dreams are issues we need to deal with now. In an even larger sense the dream state is an arena in which we are trained and tested in choice and courage and our ability to grow.

Hmmmm.
Time to try mastering lucid dreaming or at least some kind of re-entering the dream.
On the other hand Jamie Sams says –

If the black panther has appeared today, it may be telling you not to worry about the future… Let go of fears that appear as obstacles or barriers. Embrace the unknown and flow with the mystery that is unfolding in your life. The next step may be leaping empty-handed into the void with implicit trust.

At any rate, it’s definitely getting a little bizarre the repeated dreams of large cats.
Most of my friends say they dream about things like their boss at work and maybe strange scenes in elevators and subways – regular daily stuff repurposed for the dream world.
Imagery so far outside what I see every day (like, um, snow just lately) seems to want some attention…

What strange creatures appear in your dreams, gentle reader?

Unexpected Angels

Last weekend I saw a Medicine Woman / healer.
A friend in Owen Sound had called me up and insisted I needed to come see this super-talented, up-and-coming, currently bargain-basement healer from the local reserve, quick, while the getting was good, before she becomes famous and unaffordable.
She was indeed magnificent – fun and funny and the most radiant, loving human being.
At the end of a long and powerful session, back upstairs in the kitchen, she asked me to pick a card from a divination deck. The one I chose said something about the protection of angels – a soft pale image, yellows and pinks, an image of light, illumination and feathers. As gentle and delicate and full of light and love as the image was, I felt resistance – I’m just not into angels. They have never appealed to my sensibility – they feel to me like princesses and unicorns and other girly fantasy-land entities. My own inexplicable prejudices – I try to hide it, but there it is.
So the Medicine Woman wrestled with me a bit over just accepting the concept, the idea of the angel image, as protective gentleness, as divine serendipitous light, synchronistic interventions, then had me do a 9-card spread from Jamie Sams’ Medicine Cards deck – all animal cards, much more my speed.
Of course I got a whack of cats – no surprise there, I am KAT, after all…
3 cat cardsThe next day I took the bus back to Toronto and, loaded down with many heavy bags, grabbed a cab at the corner. I had this idea of killing 2 taxi birds with one stone, and before going home, asked the driver to take me out to the art supplies store, the really big one with lots of cheap deals on paints and the big sizes of watercolour paper, cause when I go there I always have to take a cab home anyway.
When I explained to him, First I want to go here and then I want to go there, he pressed down hard on the gas, and called out, Whatever you want to do, we will do it! I laughed and glanced at his eyes in the mirror – they were small with the years, not a young man. Accent African, English not first language. As his face turned slightly with a right turn, I could see several thin scars on his cheek, as if he’d been slashed across the face by a very large cat.
Huh.
He was a chatty fellow, and we talked about this and that on the way to the art supplies store – Why did I only have one child, for example? Why did I not move close to my husband to get more? As we pulled into the small parking lot, he wanted to know, What is this place?
An art supplies store! Well, he was very excited by this news, but I was out the door of the cab and up the stairs and moving fast through the aisles and my list of paints and round the back to where they keep the big pads of paper. Coming back out to the front again, thinking I should have a quick look at the mediums, a man opened up his arms and waved at me. Here I am! he said with his grin.
It was the taxi driver. Looking a bit like actor Robert Wisdom –
r wisdomBut now I could see the long tribal scars patterned on both cheeks, kind of like a cat’s whiskers –
black_panther_spainI’ve never been in an art store before!
He was thrilled, delighted, in love with this newfound world.
I was so surprised to see him there, the moment was so disorienting, in my confusion I forgot about looking for mediums and simply lined up to pay for what I had in my arms. My driver was now in deep serious discussion with one of the store clerks.
Standing, waiting for the cashier I wondered, What was it that felt so disorienting, so unusual? That he seemed so open, so free, so un-servile? That in spite of being for hire he didn’t feel obliged to sit waiting in the car if his curiosity was strong?
We went back out to the car together, and driving away his delight with this world of wonder turned to concern – They have all those things out on the shelves where anyone can just grab them and put them in their bag or under their clothes!
This upset him quite a bit, the enormous quantities of goods lying out on open shelves, and he went on about it for a while, driving slowly up the street, now nearing my house, inching along at about 10km/hr, waving his hands, both of them frequently lifting off the steering wheel altogether. But soon this worry, this loose tooth troubling him was put to rest with the summing up, This would never work in the third world – in the third world, you would go up to the counter and ask for what you want, and they go back and get it for you.
This little exchange caught my attention somehow – that he had been so troubled by something I didn’t think twice about, and had had to settle himself down quite deliberately, reminding himself that the context was different. Some lesson about the importance of the need for adaptation felt nestled in the moment.
In front of my house, he practically clucked with dismay at the disarray, the strewn collection of chairs, old bicycles, unraked leaves and crumbling porch. God will help you settle down eventually, was his last fix-it pronouncement on my life.
We said our goodbyes and I trundled into the house, arms full of stuff, head full of the uniqueness of this man.
Somewhere in all of the twists and turns of the encounter I felt the hint of magic, the reminder to remain open to the possible variations on what angelic presences might look like…

Strange Teachers

For several nights now I’ve dreamt of a temple of death.
Apropos for the Halloween / Day of the Dead season I suppose – the skulls and skeletons are everywhere, sticking up out of the ground, in and around a kind of pyramid rising up into a darkened sky with segmented sections, the lower levels somewhat gorier and grisly, the staircase up to the upper level flanked with lithe dancing young people.
The dreams seem sort of natural for the season, or like maybe they’re a by-product of the new moon / eclipse action happening in the sky, but I also suspect they’ve been brought on by this breathing exercise thingy I’ve been doing.
The exercise is an extended 5-month project, 40 minutes a day of combined breathing and visualizations, taught or guided by Sergio Magaña of Mexico City. He has a school in Mexico for teaching spiritual mastery and healing techniques of the ancient Toltec and Mexicas, or Aztec as we would call them.
Here’s some music to set the tone (the video has Maya imagery, but gives that ancient Mexico feeling) –

This guy Sergio has a book out, and someone on the book jacket blurb calls him “the new Carlos Castaneda”, really a most unfortunate and misleading reference because for one, his writing is not the lush fiction of Castaneda, but a more impenetrably cryptic mathematical and culturally localized explanation of things that made no sense to me until I went to a workshop he gave a couple of months ago in Owen Sound.
Secondly, there is no sign of a creepy Castaneda cult around him – he is a funny, laid back, lovely, helpful guy, and works with the UNESCO Heritage Club to preserve the Nahuatl culture.
Nonetheless, at the workshop in Owen Sound I found I was having some serious resistance – doubts or hesitations or reservations about being open to a teacher, a healer from outside my own cultural tradition. Maybe it was because I hadn’t dreamt about him before he appeared – something that has happened to me more than once, where I’ve dreamt of a wise person, then met them later, a phenomena which made me trust the wisdom, the prescience of the dream to have led me to them.
With Sergio there was also a question for me of cultural appropriateness – I worry over the kind of mix & match version of spiritual grab-baggery that seems to plague New Age type ventures. Even though I am fascinated by all things Mexican, have spent a lot of time there, still I hesitated.
I kind of wanted to ask him directly about these questions, about why we Anglo-Saxon types should feel free to saunter into the study of ancient Mexican culture, but I felt awkward and maybe like an insensitive brute, cause in the back of my mind was also the thought that it seemed a bit bizarre to be learning spirituality from the tradition of the Aztecs? I mean heck, those guys were INTENSE!
jawbone ex1 again
But I waited, didn’t raise any questions, just learned what I could, and then back at home one night reading, I stumbled on these words:

…if you go back far enough you can probably find that all our ancestors practiced human sacrifice. It was part of the religion in the old days and seems like it was practiced all around the world…” ~J.M. White

Right. Of course. Abraham and Isaac. Not quite the same scale but yes, the idea being that human moral codes are constantly shifting.
And the joke I always remember of how they say the Aztecs and the Spaniards deserved each other in terms of their mutual capacities for cruelty.

So being charmed by his lovely personality and the remarkable amount of success he’s had with his practices, and because it’s free and I find myself totally unable to stick with traditional meditation, I committed myself to the 5-month project of Sergio’s breathing exercises. And things are definitely starting to shift internally – some seismic cracks that have left me without much impulse to write.
The fundamental point of this breathing exercise is to “cleanse the shadow”, or in Western psychological terms, clear the unconscious.
It’s a technique that proposes to bypass all talking cures and do away entirely with the “story” of the self.
The idea is to let go of all the elements of what we tell ourselves about who we are.

The challenge lies in understanding and accepting that human beings are simply an idea, an illusion in motion, and that the only truth is the energy of the essence, which is pure potential. As long as we are aware that this is the case, then our idea of ourselves can easily be replaced by a better idea. ~ Sergio Magaña

The more weeks and now months that pass of doing this exercise for 40 minutes a day, the more I seem to be dreaming of death.
But later, as I get towards the end of it, I wonder what new imagery might wait for me there?

What do you dream of, dear reader?

Film, music, party

Last night we drove to Stratford to a film screening, part of the Stratford Music Festival. It was a film I’d worked on several years ago about Jane Bunnett and the making of the album Embracing Voices with a Cuban music group, Desandann. Desandann were going to be there at the screening and would be seeing the film for the first time. On the way there Elisa, the director, explained the film would be shown on the bare brick wall of a restaurant – a fairly excruciating scenario for any director, let alone one as brilliant with a camera as Elisa…but there it was.
first arrivalWhen we arrived, dinner was just beginning. Things felt a little quiet, a little formal, as if there was something missing – at first I couldn’t pinpoint what. Plates of food came and went – a bit rarified for the Cuban palette, a bit heavy on vegetables and pungent cheeses – but still it seemed there was something else not quite right in the scene… And then it hit me – a table of Cuban musicians and no alcohol! No, no, no – this was not an acceptable state of affairs.
We ordered several bottles for the table, and just then Jane and her life and music partner Larry Cramer burst into the room, a party in a box, and the evening really began.
beerThe film begins with Jane in a moment of despair and doubt about her life in music, a heartbreaking and surprising life passage for a woman of such talent. Just listen to her solo on this track –
Even without subtitles, the folks in Grupo Desandann got the gist of the story, how it was through the love of friends, her love of Cuban music, and her collaboration with them that she remembered herself, slowly got her mojo back, and they went on to make this beautiful album together.
projectionAfter the screening, emotional speeches were given, hugs and shoutouts were passed around, tears were shed, and then sitting there, suddenly, Desandann broke into song.
singing startsIt was so stirring, so moving to see them right there, the rich power of their voices emerging effortlessly, the hairs rose on my arms feeling their sound wash over us in waves, building to the crescendo –

singing full onThis week they’re in Toronto, at the CNE twice a day, and Wednesday night at Hugh’s Room with Jane and Larry. If you can, check them out. Just remember to stay away from the cronut burgers.