Wabi Sabi

Last week I noticed a spider had started setting up a web in the feathers that are hanging around on my windowsill. The feathers are there, I suspect, to remind me of Air and Wind, the elemental project for the year, but I wasn’t loving the spider web in the feathers so much, and after hesitating for a moment, as I do rather love spiders – catchers of other bugs and genius engineers – I decided to remove just the web and let the spider figure things out.

Meanwhile, in our ongoing mystery class, Teach told us to find a stone to hold for several exercises. I reached for the closest one in view, which happened to be a piece of obsidian, a remnant from when I was doing a lot of Sergio Magaña workshops and exercises, a very ancient Mexico scene, and I thought for a minute, Wait, why did I stop those…? And then remembered, Oh yeah, I started the British-based multi-year, elements around the wheel thing, and I didn’t want to split focus between traditions.

But obsidian is pretty strange stuff – beginning as molten rock erupting as lava, it cools so quickly it has “no crystal structure” and becomes a volcanic glass that polishes up nicely to a mirror…

Which I think was part of the appeal for the ancient MesoAmerican types, that shadowy reflection… But I wasn’t sure it felt a satisfying as a stone, like as a hunk of rock.

So I tried picking up the carving of the eagle that sits there on the windowsill, and he is made from limestone. Now this particular piece of limestone felt like a completely different sensory world, so much softer, more porous…

Limestone it seems is fundamentally born of water rather than fire. Apparently it formed primarily in shallow, warm waters, and often has bits of shell and coral fragments and marine organisms that slowly became sediments, which then slowly became rock.

Totally different vibes in the hand.

I was thinking about that elemental piece as I was out for my walk, and the day was windy, the kind you have to really lean into, and the wind pushed the water around, changing the colour, creating little waves agains the pier.

And I felt the pleasure of the wind, how it toys with the water, and it was powerful enough that I took refuge around the corner in the new garden they’ve put in, and of course it’s November so the big blooms are gone, but there are some hardy types who look like they might take their time withering into the winter.

My new favourite spot, that end of the pier.

Back in my studio I notice the spider seems to be setting up a little further down the windowsill. It doesn’t look full on web yet, but it does look like little tendril fragments that could be the beginning of a web. It is sort of the “death corner” of the sill, with the coyote skull and old leaves and a tiny bit of a what once was a wasp nest, so it seems like the right spot for him to do his thing.

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.

It is a beauty of things modest and humble.

It is a beauty of things unconventional.

~ Leonard Koren

Lens-Artists Challenge – Wabi Sabi

Waters

There’s a house – it seems to be an inheritance perhaps, something passed down in the family – but it is an odd shape of a house on an odd street.

Because there is a view of the water here – prime real estate, really – but the street is full of stodgy red brick things, not open airy homes appropriate for life by the water.

I look at the floor plan – really this cramped and crowded house could totally be built out, opened up, a complete overhaul within what the footprint, the property lines allow – there are enormous possibilities…

And I wake up.

Within the multi-year shamanic cycle work I’ve been doing, we just had a weekend session.

But as we were getting ready for this next round, for the year ahead, I found myself reflecting back on what the previous year had involved – or was it two years? I’ve kind of lost track and it seemed like a long time… Perhaps part of the nature of the direction, which was South, and the element of Water.

And yes, there has been a lot of water in this past year.

Cause first up, this is where I often take my morning coffee –

Toronto Harbour. Lake Ontario. A coupla flights of stairs down from my place.

Lake Ontario, older than Canada itself, derived it’s name from the Iroquoian root meaning “beautiful lake” or “lake of shining waters,” historians at the Canadian Encyclopedia believe…

Or sometimes I’ll bike over to the new river park they’ve opened up around the corner and hang out with the egrets and herons who have been coming back in groves to the new wetlands, and watch the sun rise over the old remnants of an industrial past…

But last summer was some intensive water – spent it almost entirely in and along the Strait of Georgia, beach days as often as possible, and even a moment from the tip of Saturna Island, a couple of days after seeing a few orcas upon arrival, facing South towards the U.S., and glimpsing in the distance a pod of porpoises on the move, making their way through the water heedless of boundaries and names and human constructions around nationhood… they seemed so storybook, a magical creature out there in the wild.

You might not see them tiny in the distance with a phone photo.

It was a summer of always looking out into those vast waters to see who you might see passing by.

And there was something about those many afternoons in the Strait of Georgia, facing the mountains on the mainland, and being in this narrow stretch of salt water that felt somehow like the Origins of Life…

I don’t know why, but it always felt like that, all the darting crabs, those liminal land / water creatures, their sideways inefficiency… it just felt like the rawness of life in its more primitive forms coming forth, the surging impulse of life as it must have begun, long before things like humans developed.

One of the things I’ve loved about being brought into more awareness of the elements, is how essential they are in our lives. Like teach was saying to us: “if the sun were to suddenly disappear, how long would it be before the necessities for ongoing life disappear?” As in, for food to grow, for heat to keep us warm. And then you do the same exercise with earth – if suddenly the earth could no longer grow food, how long would we last? And then if there was no more water – well now you’re starting to look at a matter of maybe not even weeks, maybe just days that we could survive. And then when you get to Air in the North, well, then it’s no joking matter at all, how intrinsic these elements are to our lives.

And then, on another level what we learn with each of these “directions” and “elements” that we do – East, then West, then South and North – is there is always a kind of emotional component, a layer of the exploration that is somewhere in a kind of psychic understanding of a parent or child dynamic.

The East was the Joy Child of Initiation and Beginnings, the West was the Nurturing Parent, and the South is the Trust Child.

Some of the notes I’ve gathered from the teachings on this are –

South is the place of the Trust Child, also known as the Wisdom Child, in our culture sometimes spoken of as the Wounded Child. But as we immerse ourselves in the element of water, we let go of the boundaries that restrict and confine us. So that, as we step out of the water we can gather to ourselves boundaries that support us, that are appropriate to where we are now.

For myself this past year has been an enormous experiment in trust and boundaries and learning and shifting on these fronts, but the funnier part of the story is…

That after we spent our weekend workshop learning all about the next direction, the North, teach told us we hadn’t quite nailed it, that we all needed to spend still MORE time in the South learning those lessons of the South deeper and better.

So back down the snake or the ladder we slide, to stay with the South and the leaning of the Trust and the boundaries and whatever else it was we missed the first time around…

Lens Artists Challenge – Places Shaped by Water

Saudade

There is a strange cat in the basement, like a cat that has been painted a dark burgundy.

I am nudging the cat up the stairs towards the back door, and as we pass through the kitchen, Dad is there, hunched and skeletal, getting himself a snack. He makes noises of annoyance at the cat, at the audiobook I am listening to… I promise everything is being taken care of, everything will be alright in just a minute.

***

When I awake I remember of course Dad left us on Wednesday.

He was 90 – a life very well lived.

His departure had been coming for a while, coming for a year and a half and then coming on all at once, coming so clearly and pointedly in the last week that we contacted palliative care and they came and laid out what they could offer – the painkillers, the sedatives.

During the summer I was out in BC for a couple of months, and often feared we might lose him while I was away and it would be something I’d have to live with.

There was an evening where I’d come back from dinner with some new friends and was on the couch in the house where I was staying, messing around with my phone, and I looked up and saw an owl, just there on the balcony, staring at me.

The next day I thought for sure I would get the call that Dad had gone. The owl was so spooky, his sunken black eyes glaring at me I was convinced he was a messenger of death.

For days I drew him over and over, in pencil, in watercolour, on the iPad…

But no, the summer carried on without incident after the owl’s visit, and many evenings were spent in various local bays enjoying the sunsets and watching the seals come out, their little round heads bobbing in the water looking for evening snacks.

Word of the summer : crepuscular.

1 : of, relating to, or resembling twilight

2 : occurring or active during twilight

Back home and into the final weeks of care, soon enough it was clear where things were going, and the spirit of loss and melancholy began to haunt all events.

A friend had a film premiering at TIFF, so I went and tried to be distracted by the bustle, the crowds… but alas, Dad was such a huge aficionado, a devotee of the festival every year until these last few, so my thoughts were with him at every turn.

In recent nights another critter made it’s way into my world – I’d been leaving the balcony door open at night to get some fresh air in as the apartment was full of strange smells.

A moth got trapped inside and would get fluttery in the evenings, knocking against windows and ceilings, clumsy futile movements, harassed, looking for a way out.

Wednesday morning I found the moth dead in the kitchen. And I wondered…

Indeed, it was the final day.

Lens Artists Challenge – Longing