Spring grounding

The Pumpcrete truck was already on site this morning when I woke at 5:47.

That particular vehicle is not there every day – there seem to be periods of building, pouring, then drying, then building a next thing, involving a range of trucks and contraptions and so on.

I was telling my son about the Pumpcrete truck last Sunday when we got together for the first big bike ride of spring season.

He told me about the finishing steps of the condo tower being built across from where he lives, and about the overnight dismantling of the crane, done by another crane, that built itself to be able reach up and take down the crane that had been used to build the building.

Engineers... we marvelled to each other. He said: When I watch what they are doing, I feel an awe, kind of like the awe I feel about nature.

An intertesting comparison I was thinking, as I came across this fascinating podcast with Erin Yu-Juin McMorrow , author of the recent book Grounded: A Fierce, Feminine Guide to Connecting with the Soil and Healing from the Ground.

She talks specifically about our modern western world as being one by and for engineers, vs an orientation to the earth, the soil, the ground, and ultimately to the feminine.

She talks a lot about soil, and putting our feet on the earth to ground ourselves, and I remembered an even deeper technique I learned years ago at a workshop with Ohki Simine Forest, where she had us lie down on our bellies on some scrabbly ground in Santa Fe, lying on the earth and letting her absorb all of our edgy bits, you know, where the grounding instructions go kind of like this –

Imagine a white light coming directly from a source above and bring that energy down into your physical body.

Next, imagine that energy moving all the way down into the center of the Earth.

See, imagine, or feel any energetic imbalances within you being moved down and out directly into the Earth to be recycled. Ask that any imbalances be washed away.

Now, bring the pure, solid, reliable, grounding energy of Earth—and all that she represents to you—allow yourself to feel the qualities of Earth that you most need to draw upon at this time: permanence, reliability, safety, security—whatever it is that you need at this moment.

credit: unknown

But where I live now is so ferociously urban, connecting with the earth by lying on it, or even by going out in bare feet is not an easy or obvious option.

It used to be I could wander out in the back yard in my pyjamas and bare feet, coffee in hand to greet the day…

But after a couple of moves, now I find myself in a place where I wander out to the balcony, coffee in hand to greet the day and see this – the crane, the trucks, the leftovers of industrial harbour wasteland, the highway and condos and cranes beyond –

Now, this isn’t a pity party, don’t be feeling sorry for me, cause fact is, when I go down a few flights of stairs and out the side door, what I see is this –

Lake Ontario / Toronto Harbour.

Big Love.

But the thing is: SO MUCH OF THE WORLD spends their / our lives living in dense urban environments.

In cities. In towers.

Far from any easy direct contact with the earth.

Check out these photos by photographer Michael Wolf

credit: Micheal Wolf
credit: Michael Wolf

So the question is… how do you, how do I, how do we, connect with the ground, with the earth, in this kind of ultra-urban living situation?

In a situation where there is no grass, not even a sense of soil underneath the feet, but rather of concrete and infill, parking garages and layers of infrastructure.

I was telling my boy about how one day someone in our building noticed this ship’s anchor hanging out in the construction site out front.

And someone else in the building said: Well, you know, when they did the infill for this area, apparently they used whatever they could get their hands on, including old ships.

Toronto Harbour 1967

Because we are right on the edge of the Toronto Harbour, on what has gradually, over the decades, been increasingly filled in to create a harbour with a depth able to receive the increasingly large ships.

I guess my answer for myself on grounding in urban situ has been:

When I do meditations where I “ground”, feeling down through the earth, sending roots down and feeling even into the core of the globe – I begin with what is there, feeling down through the floors below me, through the parking garages, and then through the concrete and infill and finally to what’s left of the silt and slime of the lake bottom down there, just letting my imagination feel into what IS, or what I imagine Might Be.

And, aside from feeling good, some fun art explorations have been coming out of it –

Where the Earth Began, Katharine Asals

In a way, this approach to the meditation is an exercise in including the city as material entity that is part of the earth – of trying to integrate rather than fight the fact that this is where my body finds itself.

Okay, okay… it is not the same as bare feet on dewy wet grass in the morning, I can tell you that, but it is still something…

Roots #2, Katharine Asals

And you, Dear Reader? Do you do Grounding Meditations? Do you live in a city? What’s your experience with these various factors?

Inspired by Lens Artists Photo Challenge: You Pick It

Cold ‘hood, warm hearts

There’s a thing that they say about Toronto, that it’s a hotel city – cold, soulless, people from all over the world with nothing in common and no desire to know each other. No naturally occurring culture.

In my new construction zone of a neighbourhood that reputation seems personified in the architecture, the condo towers, glass shoeboxes in the sky, holding lives of tiny isolations.


And yet, and yet… on my way to work last week, I noticed some new ducks in the water.
Usually we have the mallards, currently fattening themselves in the waters by the sugar dock…


But these ducks were different, with white stripes on their heads.
A google search suggests they are long-tailed ducks, who summer and breed up in the arctic and are currently migrating to the eastern U.S. where they winter – just stopping in, a layover on their journey.


I was talking about the ducks with my old friend Sabrina, visiting from Ottawa.
She was in town wanting to see some of the exhibits at the inaugural Toronto Biennale – one of the larger exhibit spaces being just across the street from me, gathered around the theme of Shoreline.

We climbed around on the big wooden structure by Adrian Blackwell resembling the shape of the lakefront I look at every day –


Until I noticed my old friend Andrew across the room, just sitting down at a table with a coffee, and went over, startling him into a hug.

It had been so very long since I’d seen him, so many years had passed that there was a divorce I’d guessed at but didn’t want to believe between two beloved souls, both of them so creative and wonderful in different ways – too different, they’d finally concluded, and off they went in their own directions, a warm beautiful home on a tree-lined street in a friendly neighbourhood torn assunder, hearts broken.

In fact, there was a new book he said coyly, a sly crooked smile of pleasure in accomplishment.


And later in the day, sitting on the Sherbourne bus heading south after a browse in an overflowing Book City on the Danforth, full to the brim with the beginnings of the Christmas season on a Saturday afternoon, I cracked open his latest Ticking Heart and was reminded of how much local flavour he imbues in his books – the corner of Barton and Euclid evoked in the opening paragraph, a corner I know by heart from the years when my boy went to school at Palmerston, and a place I still see on the days I visit my friend Nicky…

The richness of place, I was thinking, even in its younger moments, its birthing moments, even as it is being built, even if it is cold.


The strange melancholy even of a construction site where bunnies can be seen in the early mornings and the Santa Claus parade parks at the end of its run in a moment of fun park absurdity.


Sunday, the final day in a weekend packed with lovely human encounters, was brunch with Sabrina and Louise, another old friend from back in the day in Montreal, in town to visit family.

We stood around the kitchen table in my tiny new home and laid out food and found plates and cutlery in the cupboards and talked about time and failing memory and the decline of bodies and accidents slow to heal the way only women who have known each other for decades can do, talking over top of each other finishing each others sentences, laughing at jokes that have been running between us forever…until a moment where Sabrina – or maybe it is Louise? – is telling a story, making a point, building the narrative towards a natural culmination point, saying:
“… Because in the end, we are all…”  and completing the sentence, Louise and Sabrina both speak at once:
Louise saying: “goddesses”
Sabrina saying: “bags of flesh”
There is a split second pause before we are all bent over, helplessly howling with laughter at the perfection of the opposition, the absurd juxtaposition of such wildly diverging endings to a sentence.
Ahhhhhhh… old friends.

And there you have it – a dispatch from the life of a goddess/bag of flesh in a tiny glass box in a cold and soulless city.

* * *

Lens-Artists Challenge – Cold

Filling the frame

Mornings are very different in our new place.
Here there are no early morning blackbirds, cardinals, or blue jays, no turtle doves, no squirrels…
Here there are gulls and monarch butterflies heading south by the dozens, and the occasional gatherings and murmurations –

Here we have boundless skies over the outstretched cityscape –

Here we are by the lake, colours changing every day, different skies, different temperatures –

And here there is … CONSTRUCTION!

The whole neighbourhood is under construction.
Even just outside our balcony, there is construction – the site itself is due for a building soon, but in the meantime the large lot seems to be a drop-off point / work site for other nascent buildings nearby.

I’ve noticed the gates to the site open before 6 a.m. on weekdays, with workers arriving in their SUV’s, big long trucks backing in, delivering building materials, forklifts unloading materials, headlights lighting everything eerily.
In the background the 72 bus already trundles eastward towards Commissioners and the Gardiner roars quietly, the commuter day already in motion.

This new context has been an interesting place to be as so much more attention has started to shift to the climate change issue.
Every day in the media has more studies, more discussion, more pressure on politicians… it is moving fast.


And to be with this new ultra-urban vista, with the cranes in the sky, the trucks backing in before dawn, the constant motion of the highway,
there is a sense of the powerful relentless motion of our society, forever building, forever moving, forever growing.
The effort it would take to change, to turn it around, to make the giant shifts necessary…
Heck, that is gonna take some willfulness from all of us.

Lens Artist Photo Challenge – Filling the Frame