Cinematic dreams

The taxi driver refused to go any further.
I was staying at a hotel near Spadina and College – El Mocambo territory – and wanted to get further down towards Dundas, into the deep and winding medieval streets, but the driver turned the car around and let me out, saying “most people don’t want to go down there – it’s too dangerous”.

In the dream, downtown T.O. was like one of those neighbourhoods in Mexico City – Colonia Doctores or Ciudad Neza  – where all taxi drivers refuse to enter cause anything could happen.
So I got out and walked.
The streets were deserted and dark, and I walked and walked, way south, walking all night until I got down near the very bottom of the city, almost to the waterfront, where the sky was wide and the road opened up into a kind of rock quarry or a crumbling Colosseum, a part of the city that had long been abandoned and was just big open empty raw spaces  –

I ventured up onto the first layers of the rocks, rambling happily until I sensed movement in the shadows of the quarry. And as I looked, creatures took shape.
They were lions – stone lions.
They were living animals – their large bodies moving and rummaging about – but they were made of stone, the same stone of the the quarry.

At just the moment that it registered in my mind what I was seeing and the danger I was in, a large lion sensed me too, the hint of movement in his peripheral vision, and his head snapped up in a snarl.
Then there was a pounce, the running jump of the massive creature coming after me.

big biting lion

Suddenly I had a large plywood board in my hands which I lay underneath in a crevice in the rocks, pulling the board flat on top of me, effectively disappearing into the ground.

The lion lumbered heavily over me, not finding me, scrambling over and away, somewhere beyond where I lay hidden.
The fear was so huge – one of those nightmares that wakes you up in a sweat, blinking in the dark of the bedroom.

* * *

Today I had one of those days, out and about in the ‘hood and, while taking photos of the various construction and rehabilitation projects happening all around us here, here down at the bottom of the city, in an area that had been abandoned for decades, I remembered this dream again.

A dream from more than 10 years ago.

What I still don’t quite understand is where does this dream exist in time?

Because it’s as if some part of the dream knew where I was going more than 5 years before I moved here, before our building was built, before this abandoned part of the city was on its way to being brought back to life.

But now, having remembered the dream, and feeling as if I am somehow somewhere inside of it, I remember also some of the wise words of Robert Moss regarding the animals we meet in dreams :

Our animal guardians are hunting us in our dreams. If we will only stop running away, brave up, and remember, we can claim their power …

Lens Artists Challenge – Cinematic

A cinematic day

The day began with breakfast for two at the famous dumpling place on Spadina, and the fortune in my cookie said something stern about <<mettre de l’eau dans son vin>> and as we pushed through the doors and out into the street we debated the meaning of this, the translation, but also the intention of the saying, was it about making concessions, adjustments, or was it about making do with less?

Wandering through Kensington Market, my friend started telling me about a new practice she’s exploring called “Access Consciousness” and how she’s been given a series of questions to ask herself throughout the day – questions like “who does this belong to?” which you ask slowly, repeatedly about emotions, reactions that come up, but then also the question “how does it get any better than this?” which you ask yourself again and again and again, relaxing into all of the truth of the moment and wondering if it possibly could…

HOW does it get any better than this?

How does it get ANY BETTER than this?

How does it get any better than THIS?

This wonderful, meditative question reminded me of the way I feel when working on the 100 Day Challenge I’ve been doing for a couple of months now – it’s purposely not too ambitious, only about the joy of the thing, focused on the simple pleasures of paper, maybe pencil, maybe some watercolours, but who knows, maybe some charcoal depending on the day, depending on the creature, the image.

Seated Hare – charcoal, white charcoal, and watercolour on paper

This week, I am writing about noticing. About paying attention. About exploring what the Universe is telling us. This journey can be both arduous and joyful. It is certainly worthwhile.

Begin here

Paying attention is key to any artistic or life pursuit. It’s how we use all our senses. When we pay attention, we see patterns we otherwise would miss. We hear the chimes of the Universe, taste more intensely, let smell spark memory.

Touch

The most elemental of the senses for artists, even more than sight or hearing, is touch. It is how we relate to our materials. We touch the keyboard, the pens, the yarn, the paint, the fabric, the fragile silk of an emerging flower. Touch the sensitive place behind the ear, the pulse point of understanding.

~ Fran Gardner for The 100 Day Project

* * *

Many blocks further up into Little Italy on such a beautiful sunny day and we sat in the park for what seemed like days, catching up on so many things, but here and there remembering that beautiful question, until it was time to pee so we headed out through a little pathway that had been beaten out amongst some trees and oooo’d and aaaa’d over the little fields of bluebells giving a colourful shape to the path.

How does it get any better?

Up at my friend’s beloved familiar home, we ended up on the back porch as is always the case on a gorgeous spring day, and it was still too cool for the cherry blossoms to have started on the huge cherry tree that dominates the back yard, but I noticed all the textures in little corners of collected objects, of aging wood against cut glass and burnished metal and porous ceramics.

Oh how I miss these kinds of textures that we had everywhere back in the days when we lived in a funny little house with a splendid back yard and a pond and an orange cat and a crumbling wooden fence and moss covered bricks.

After a trundle down Parliament in a busy crowded bus it was getting dark by the time I got to my brand spanking new neighbourhood of concrete and steel and glass, with no gardens, no aging wood or porous ceramics, but lo and behold, there are still moments of magic when the fog from the lake creeps up at dusk and the skies simply couldn’t get any better…

Lens Artists Challenge – Cinematic

All photos apped out with an early version of the Waterlogue app