There has been a lot of topsy-turvy here in our tiny household. Much transition.
The cat has been a bit stressed out at all the activity, Nervous Nellie forever waiting for the worst. It’s become a bit of a sport to tease her about her Chicken Little tendencies, while the humans stumble through Harvey, Irma, and the sabre rattling of North Korea as if everything were hunky dory.
Ah well. Who knows really.
Meanwhile, summer was…
…as summer should be.
Road trips and friends and lakes and chili hot dogs on Sauble Beach and misty river mornings and dragonflies buzzing and the sudden swarms of mosquitos on the Bruce Trail and an impromptu dinner party crammed around the tiny table of an RV.
Through it all the strange part for me was a health issue – I’m not usually a person with health issues, but 2017 has presented health issues as a distinct new concept, so there’s a new sense of the body as something potentially treacherous, fickle and demanding – an ally to be carefully courted – not the effortless ease of yesteryear.
Ah well. So be it.
Then beginning of September my boy moved out – after 23 and a half years, with the hope of a job on the horizon, he packed up his things and went to live with some friends in a hipster part of town.
Ah well. Very very happy for him.
And so with a bit of extra space at home, slowly I’m packing up my studio.
A few things are in progress on the walls, and I go over after work and look at them and feel unsure of what to do, where to begin, when to end.
I sit and look, waiting.
Waiting for some kind of sign, some kind of indication of what’s the next move…
Approaching the island across the lake, I think of the book I’ve been reading: The Zen of Creativity : Cultivating Your Artistic Life by John Daido Loori.
He has a series of exercises on “Direct Experience” or “Experiencing without Identifying” – exercises closely related to the practice of mindful meditation, with the intention of quieting the mind and seeking to simply feel or experience things before the thoughts come in.
Most of us – seasoned meditators included – will find that it is very difficult simply to listen. We hear sounds and immediately name them, or we associate them with something else, we compare them, analyze them, or try to find their source. It soon gets boring just to listen and our minds wander. It’s not easy to let things simply be and let go of our running commentary.
As we approached the island I practiced with these trees –
Trying to just feel the trees without thinking about what KIND of trees, or about their size or colour or all the things one could think about trees.
Even so, even as I sensed them as a group, as a collective presence, an alive beingness in front of us, I found myself searching for the words to describe the sensations.
And again, trying to just allow the experience of the pebbles… much subtler, so small and ubiquitous, almost imperceptible yet hinting at eternity…
And from this place one might take a photograph.
One way that our spiritual power begins to manifest is through the emergence of the intuitive aspect of our consciousness. This is one of the reasons why Zen and creativity are so intimately linked. Creativity is also an expression of our intuitive aspect. Getting in touch with our intuition helps us to enter the flow of life, of a universe that is in a constant state of becoming. When we tap into our intuition, whether in our art or simply in the day-to-day activities of our lives, we feel a part of this creative continuum.
How can any of us gain entry into this unique way of perceiving the universe, where every breath is the first breath, every sight and sound is fresh penetrating the universe, reaching everywhere?
At one time or another, each of us has experienced this way of perceiving. It comes upon us unexpectedly. Suddenly the music moves into our being and our body responds. There is no thought, judgment, or conscious effort. The music freely passes through us. We pick up a brush and the painting flows from its tip. the poem creates itself, almost without effort
A photo here and there, I also pick up strange things from the ground and bring them inside.
I’m teaching myself to draw on the iPad – it does not yet feel very Zen at all, it is still a lot about thinking through how the mechanics work, but there is a certain amount of non-thinking possible in the presence of strange things, just looking at them and trying to sense and feel the way into a drawing rather than think.
Oh I wish I wish I were the spray from an ocean wave
the wind in the trees
the stretch of a cat
the sparkle of a star in the night sky
a floating colourful anemone in the warm Caribbean sea
a coasting bird, soaring, casual as I move through the clouds…
* * *
We are in my dad’s house in Philadelphia – he has recently inherited it from his parents.
It still has old lady wall paper and old fashioned furniture and such, but some areas, by the staircase for example, there are some bare brick walls and boards.
I know I’m going to inherit this house soon, very soon, and so I look around with eyes to renovation – imagine it with the old lady wallpaper gone, and clean modern lines…Oh, it is exciting, the possibilities ahead!
And I start to pull away more of the old boards at the bottom of the staircase thinking of opening up more space, but I discover curled under the stairs in the crawl space the corpse of a fox terrier.
This is rather disturbing.
Creepy, and there’s going to be a smell problem.
It’ll have to be cleaned up.
But suddenly it gets up, now it’s glowing a rich blue colour, and is a real fox fox, a wild fox.
Away it trots, glowing blue.
I am relieved that this corner of the house is now clean and clear, blessed by this magic glowing ghost-fox.
Outside I am driving, and I realize this is going to be whole new phase of my life – I will move back to the States, to this house in Philly, and I will finally be driving again!
My sister and I are by a kind of river, streaming over rocks, with many many people. But there is a bad man who is a problem.
We drown him, the two of us, holding him down in the river in the midst of the rush of people – visceral, his red throat, bulging veins and tongue – and then finally, the bad man is dead.
* * *
Last night I sat down in the studio for a wee break from painting the latest fox – lots of foxes these days – and the angle from the chair to the patiently waiting half-finished or half-started crow on the wall with the Dollarama flowers on the table in front made it look as though the wing of the crow was decorated, almost tattooed with a gorgeous string of pink flowers…
And I wished, how I wished I was THAT kind of artist.
An artist who makes pretty pink decorative things or beautiful tattoos or things you might want to use as wallpaper in your kid’s room…
Moments, just fleeting moments where the desire to be other, to be more, to be different, to be something else, to be someone else bubbles up.
It’s not so terrible in a way, as it’s all clustered into what has become a fairly conscious process of change I’ve been working on for some time now, deep thinking about the things that are not working, the things that need to be better, the places I need to step up, become a better human being…
But here’s the thing… change is HARD!!!!
Maybe you already knew that.
So one thing I always find myself doing in these moments, is reading.
Have a seat by the fireside and enjoy some Joseph Campbell:
The basic story of the hero journey involves giving up where you are, going into the realm of adventure, coming to some kind of symbolically rendered realization…
If the call is heeded…the individual is invoked to engage in a dangerous adventure. It’s always a dangerous adventure because you’re moving out of the familiar sphere of your community. In myths, this is represented as moving out of the known sphere altogether into the great beyond. I call this crossing the threshold. This is the crossing from the conscious into the unconscious world, but the unconscious world is represented in many many many different images, depending on the cultural surrounds of the mythos. It may be a getting lost in a dark forest, it may be finding yourself in a strange city. It maybe be depicted as an ascent or as a descent or a going beyond the horizon, but this is the adventure – it’s always the path into the unknown, through the gateway or the cave or the clashing rocks…