Magicians

I am staying at Rh’s house. Or not in the house proper, but in a kind of separate guest house / basement suite that she uses, leaving the main house empty.

A man comes in. He wears a balaclava over his face and chases me around, trying to rape me. I am terrified, I do NOT want this to happen. Rh chuckles, watching the action. She has planned this.

There is a pause, and the man pulls off the ski mask. He is, in fact, a kind of goofy guy, and a magician. There is no threat after all.

* * *

This dream stayed with me for a while – as the frightening part was heart-stoppingly terrifying, and the idea of a goofy magician underneath the mask totally piqued my curiosity.

A few days later I found myself at a workshop in Owen Sound with the Toltec teacher, Sergio Magaña –

We learned a “manifesting technique” that, in its series of movements, reminded me for all the world of the Magician card in the tarot deck – reaching up to the sky above, and down below to the earth in the process of creation…

What a way to begin the summer…

We stayed just outside of Owen Sound on my friends’ farm where they had some new horses, and Sauble beach is just a hop skip and jump away –

And there is a sense of buoyant optimism in the sensation of creation from this practice… It’s a technique that is done for a number of days in a row, the repetition reinforcing the sense of creative magician… even my dream world has been increasingly busy (and occasionally magical) with this practice.

* * *

On Facebook I belong to various dream groups, and recently someone posted some collages she was doing from her dreams.

They had the structure of a series of comic book frames, allowing for the shifts in the narrative from scene to scene – a technique she said she learned from a workshop with Jeremy Taylor.

We got into a bit of a conversation about working from a dream, and how sometimes later, when you look back at the original entry in your dream journal, the details can appear to be quite different from what you’ve been accentuating or extrapolating as you make art, or even have conversations about the dream.

For example, from the dream above at Rh’s house, I’d been remembering the most vivid bits of the fear and of the unexpected revelation of a magician.

Yet when I looked back to my dream journal I found that I’d had several other forgotten magician dreams before this, and within the original entry on this dream, there was a detail that “this is a game or a challenge Rh and I have”. So the chuckling Rh seems less evil in this context, and my character is then also not so much a victim as a co-creator.

Interesting.

* * *

There was a dream I had maybe 2 years ago of 6 dead bulls in a parking lot.

It was a terrible dream, with the stench of death in it, and the sense of tragedy of these 6 massive powerful creatures dying a lonely unceremonious death in a parking lot at night.

At the time I had no place to talk about dreams, but I can always make art, so I did painting after painting of bulls, dead or dying, wondering what the heck the dream was about.

At some point I happened on a free webinar given by some people in Vermont, and I told them the dream of the 6 bulls. They were so lovely, they listened so well, and at some point Sue said, “how do you know they were dead?”.

The possibility of seeing the dream story as a more fluid entity, of not taking the narrative as a finished, absolute, unchangeable reality ROCKED my world.

Since then there has been a large painting in the works of some very alive bulls, and even a small sculpture is in the works.

And you, Dear Reader…?

Have you found your relationship or understanding of certain dreams changes over time?

Female Fates

(This voyage happened a little while ago –
Got a bit too busy to complete and post it at the time, but here it is now…)

Montreal again.

Time for the Foire papier and I’ve signed up for a hooked-up tour to see all kinds of hot shows and behind-the-scenes tours with curators and fun stuff.

In the morning on my way to the train station, rushing late onto the commuter train platform, I see a familiar face amongst the crowd – my sister!

Such a treat, such a surprise, and a chance to chat about travel plans, kids, family this and that, our 2 bashful waspy selves happily delighted at the unexpected intimacy.

Some hours later, early evening in a crowded vernissage in Old Montreal, mind blown already by the totally rad exhibit by Bharti Kher, hinting at things deeply feminine, reproductive, migratory, a cross between exquisite sensuality and mass production…

We are milling around by the bar, people-watching the funked-out Montreal artists in psychedelic shades and storm trooper boots, when across the room again I see a familiar face…
My sister-out-of-law! Another most adored human!

Not quite officially related (she is my son’s aunt, but my ex and I never married), it is wonderful to see her after some years of missing each other in passing, and there is news of new cousins in the mix, and tell me, tell me, how are all the kids?

It feels awfully apropos to be surrounded by spermatazoid specks and female shapes on this day of family, tribe, migrations and reconnections.

* * *

Next day, another 12 or 14 exhibits, but my favourite is this one, yet another amazing female artist, Elly Strik – new to me, very drawing based –

This entire room is called the “dream room”, with a huge drawing on one wall of Freud’s couch, and many smaller drawings of more intimate details on the surrounding walls.

The major portion of the show is comprised of these massive mysterious female almost-portraits… beautiful yet unknowable, huge and yet tender.

And you, Gentle Reader?

Seen any good Art lately?

Spring Smile


Out beyond the place where we lived – a restaurant, a home, a gathering place – there was a stretch of landscape, deep ice and snow, a river and pathways still in the clutch of winter’s deep freeze.
There I found Gerald’s body.
As I stood there, feeling the violence inflicted on First Nations people again and again, he began to rise up – an ascension, a resurrection.
His back was towards me as he floated up into clouds and sky.

* * *

I turned over in bed, the disoriented waking of the morning, all identity and story still clinging to the whispers of strange images, oblique narratives, and there amongst the sheets I found a small slip of paper, the size of the paper fortune from a Chinese fortune cookie.

How sweet!
Where could it have come from?
Perhaps the library book disheveled in one corner of the bed?
Which would mean some sweet inspired soul had written it on a piece of paper and slid it in the book to be found by strangers…

* * *

It seems I’ve been in a deeper hibernation than usual this past winter – a number of people have been in touch asking: Where the heck are you? Are you still there???

On the one hand I’ve been intensely quiet, burrowed down inside like a bear in winter, reluctant to venture outside now that I’ve set up my studio at home…

And with a bit of a breather on the work front, just one slow-moving independent film job on my plate for the moment has meant there are not too many obligations around town…

Yet on the other hand there have been a number of planes, trains, and automobiles – a few wee winter adventures, opening up horizons and yielding the nurturing influx of friendship and art –

One, a retreat with my beloved dream teachers in Vermont

Another, a week puttering around NYC with a friend, a place I haven’t been in far too long, exploring the great city in all its glory and looking at as much art as we could…

Louise Bourgeouis @ the MOMA

And then a packed full long weekend in Montreal with dinner parties, vernissages, and the unfortunate news of the loss of an old dear friend made bearable in the bosom of so much love and creativity…

I’m hoping this very quiet stretch is almost over, and like a caterpillar that has been naught but a gooey cocoon for months, I’ll emerge resplendent and colourful with the coming spring, posting up a storm about dreams and painting and, with any luck, a little more travel…

We will see 🙂

Chestnut – Work In Progress

Weekly Photo Challenge – Smile

Call of The Fox

She turned to me, her blue eyes faintly distant, mysterious and said:
I had a dream of a fox.
But when I asked the fox what he wanted, he said:

I am here for Kat.
I have a message for Kat.

We were sitting at the breakfast table, the three of us.
A few days together and we’d taken up the habit of sharing dreams while we figured out coffee and food, it feeling a natural, rich way to begin the day.
But this was different – this was A Message.
And the thing was – I hadn’t even told them the story about the fox.

car in barrie

There’d been too much going on – there was that crazy night in Barrie with the lousy car, being saved by our angel Hedy, then appeasing the Goddesses of crossroads out by the car rental joint on the highway and the drive to our place, and days with the urgency to get outside, get hot and get in the water and swim, have a real summer, make great food, drink wine and sit in the dark on the porch looking at stars and watching the bats dive for bugs.

trees blur
So I hadn’t told them the story of the fox.
I mean I’d told them about the place I’d been the weekend before – about the little cabins in the woods, the amazing locally-sourced food, the moon rising over the lake, and singing in the dark of the sauna and diving in the cold night lake, rinse, repeat, rinse, repeat, camp songs and show songs and snippets of Tragically Hip songs, all of us trying to remember the words cause it was the night of their final concert and all of Canada was said to be tuning in.

lake wide

Courage, my word
It didn’t come, it doesn’t matter
Courage, your word
It didn’t come, it doesn’t matter
Courage, my word
It didn’t come, it doesn’t matter
Courage, it couldn’t come at a worse time

The people were wonderful and strange: the core co-facilitators of the shamanic circle, a bunch of us newbies from various Ontario towns, and a young, fascinating First Nations fellow who, despite his youth, brought what felt like lifetimes of ceremonial experience.
It was the Saturday morning when I overheard him talking to my cabin-mate about a fox. Apparently on her drive up she’d gotten lost and ended up wandering on some back road where she saw a dead fox. For some reason she couldn’t explain, she stopped the car and gathered up the fox and brought it with her.
“I mean I don’t make a habit of picking up roadkill”, she said, still mystified.
That afternoon, the First Nations fellow led us in a ceremony to reactivate a labyrinth on the land, using a massive quartz crystal, tobacco leaves, water from lake Atitlan, and fur from the tip of the dead fox’s tail.
Most of the group circled into the center of the labyrinth, but 4 of us stood menhir-like in the 4 directions.
I stood in the West, my eyes closed while we sang as they danced their way to the middle point of the labyrinth to plant tobacco, quartz, water and fox. As I stood, I felt, saw, experienced the entire event as a spinning, galactic vortex of energy churning up and out into the sky – it felt so powerful, so forceful, I felt I might fall over.

vortex fern

The weekend was full of these kind of Experiences – this one with the fox’s tail at the labyrinth particularly intense.
But I hadn’t told my friends all these particulars before that morning at the breakfast table, before my blue-eyed friend said:
“I dreamt of a fox and he said he’d come for you”.
It all seemed too personal in a way.
Or maybe it was that such a powerful internal experience will never really translate into words, words will always seem dry and inadequate.
Or maybe I thought even to talk about it would dissipate the power in some way, cause it’ll all just sound hokey.
But as the impact of the whole thing began to sink in – that a fox had come to her in a dream to say: “I have a message for Kat” – the three of us looked at each other and wondered…
What message?
What did the fox want?
Why like this?
Why not just come to me directly?

fox drawing bluish

While I can’t speak for the fox, while I wonder if there was more to the message I should be able to fathom somehow, I’ve begun to think that the simplicity of his apparition to her was a message in itself.
It was a way to really REALLY get my attention.
Because it would be so easy for me to say to myself, “Oh, the things I felt that weekend were just my imagination”.
Or, “This whole idea of spirits is all very well, but…”
Repeatedly I’ve heard various teachers on my path say they’d spent months, even years on the path of shamanism, of ceremony and journeying and so on, but STILL they doubted this whole business of “spirits”…
Until something happens that hits them over the head and makes it all so very plain.

Abandoned Photos

runner, truckThey’ve been sitting in a folder in the basement, old old work prints that never quite got finished, and are here scanned. I’m thinking to join a local photo co-op so I can scan some of the old negatives and revisit them, give them some love, resuscitate them from their state of defunctedness.boy w fridgeThey are moments of abandon, in different meanings of the word – a moment of wild running abandon; an abandoned fridge and perhaps child as well; and losing oneself to the abandon of sleep…sleeperWeekly Photo Challenge – Abandoned

Moons I have seen

In honour of tonight’s full moon and Valentine’s day, a revisit –

A cold full December moon cresting high over the Clinton schoolyard – staid brick building structures back lit with beams of moonlight, a few lone figures with dogs scuffling, breath in clouds in front of them, a faint dusting of white on the frozen ground.

in summertime the bats swoop down over this little round of track and trampled grass and soccer goalposts. In daytime the children shriek happily or protest the small devastating cruelties of their recess torments.

In the night with the moon bright, these daytime activities echo, ghostly.

In this city interior it is sometimes hard to distinguish the moon from a street lamp – a single globe like so many others – hard to believe the number of cultures that created a Moon Goddess out of this small frail lamp – almost an unremarkable phenomenon in the forest of lights.

A brisk February moon over the farm fields of southern Ontario – Ajax, Port Hope, whisking by in the night, the horn of the train calling out forlorn and hopeful at once, coming, coming, we are coming. As fast as the train goes, the moon does not move, the fields and houses are drowsy in her soft light.

A humid March moon low over the small town of shacks by the jungle – powerful single light of the night, illuminating modest wooden lean-to’s for homes, mud streets, the last tired men heading home after the long day to settle in before the monkeys begin to scream from their trees.

Late in the night when the moon is highest, laying a blue light over this little collection of shacks, only the skinny crazy woman is out – the  woman who went mad with grief, losing her child to one of those childhood illnesses afflicting only the countries closest to the equator.  She wanders in the night, sometimes silent, sometimes still wailing her grief to the unblinking moon, her body still young and beautiful under her rags, her tangled hair a glorious matted mane of dark waves. Tragedy incarnate, the beauty, the insanity, the youth, the grief, the potential, the loss.

The big river is not far.

A singular star-effacing June moon over the playas del este just outside of Havana – a beam of clarity on the ruins of dreams and hopes of generations past – rubble that used to be construction, vacant chicken joints that used to be dreams of prosperity, empty lots that once had been valuable property along the beach.  The most undeveloped, unspoiled and unloved stretch of fine white gleaming sand.

We walked, my new love and I, along the beach, my hand in his, contemplating together the empty shadows of lives unfinished, the dreams of futures never realized, the beginnings left hanging, suspended, abandoned.  The moon held us in its light, showing us the path, a way along the dark beach by its light.

A sharp glaring mystical eye of a moon over the October desert mountain stretch – a penetrating gaze in a landscape that offers nowhere to hide. The mountains present themselves stark dark ochre against the dark blue sky like a childrens’s book of cutouts. Pink highways push northward. Whiffs and shadows of the cultures of the plains, the great warriors, the visionaries, people of power, shimmer around the edges of shrubs, speed limit signs and gas pump exits.

A hazy unreliable November moon watching the square and the streets of Coyoacan, nudging its light into the patio and the windows of the casita azul, empty and haunted. Amidst the teeming millions, the frankly frightening overwhelming labyrinthine megacity, still the nights give themselves to the snaking rising mist of the ghosts of the old souls, the departed, the ancients, the history of the city. Even outside the throbbing discotheques, the shining towers of business and industry, the ancient layers of the Aztec breathe out their pustulent breath until the rays of the sun break the spell yet again, and all manners of ordinary activity return.

A massive May supermoon rising engorged and heavy, menacing as it looms over the city, heaving itself above the downtown highrises and slowly propelling itself up into the sky. In the park, people are stopped silent and clustered, staring, pointing, cel phones out taking pictures of the big ball in the sky over downtown.

I wander the paths of the park, alone with my phone, frustrated at the paucity of the images it’s able to capture of this monstrous moon.  Still, I pace back and forth, stalling, biding time, watching the moon climbing up the sky, waiting out the hours with my heart in my hand at the edge of the park, the street, the sirens, the moon, as my love – no longer new, now a fumbling, faltering marriage – is packing his bags, getting his belongings together, and leaving.

Photo note – usually I use my own photos, but most of these (save the one immediately above) are found from various places on the internet.  However as they were largely not credited where I found them, I have left them without credits here with apologies.