Cinematic dreams

The taxi driver refused to go any further.
I was staying at a hotel near Spadina and College – El Mocambo territory – and wanted to get further down towards Dundas, into the deep and winding medieval streets, but the driver turned the car around and let me out, saying “most people don’t want to go down there – it’s too dangerous”.

In the dream, downtown T.O. was like one of those neighbourhoods in Mexico City – Colonia Doctores or Ciudad Neza  – where all taxi drivers refuse to enter cause anything could happen.
So I got out and walked.
The streets were deserted and dark, and I walked and walked, way south, walking all night until I got down near the very bottom of the city, almost to the waterfront, where the sky was wide and the road opened up into a kind of rock quarry or a crumbling Colosseum, a part of the city that had long been abandoned and was just big open empty raw spaces  –

I ventured up onto the first layers of the rocks, rambling happily until I sensed movement in the shadows of the quarry. And as I looked, creatures took shape.
They were lions – stone lions.
They were living animals – their large bodies moving and rummaging about – but they were made of stone, the same stone of the the quarry.

At just the moment that it registered in my mind what I was seeing and the danger I was in, a large lion sensed me too, the hint of movement in his peripheral vision, and his head snapped up in a snarl.
Then there was a pounce, the running jump of the massive creature coming after me.

big biting lion

Suddenly I had a large plywood board in my hands which I lay underneath in a crevice in the rocks, pulling the board flat on top of me, effectively disappearing into the ground.

The lion lumbered heavily over me, not finding me, scrambling over and away, somewhere beyond where I lay hidden.
The fear was so huge – one of those nightmares that wakes you up in a sweat, blinking in the dark of the bedroom.

* * *

Today I had one of those days, out and about in the ‘hood and, while taking photos of the various construction and rehabilitation projects happening all around us here, here down at the bottom of the city, in an area that had been abandoned for decades, I remembered this dream again.

A dream from more than 10 years ago.

What I still don’t quite understand is where does this dream exist in time?

Because it’s as if some part of the dream knew where I was going more than 5 years before I moved here, before our building was built, before this abandoned part of the city was on its way to being brought back to life.

But now, having remembered the dream, and feeling as if I am somehow somewhere inside of it, I remember also some of the wise words of Robert Moss regarding the animals we meet in dreams :

Our animal guardians are hunting us in our dreams. If we will only stop running away, brave up, and remember, we can claim their power …

Lens Artists Challenge – Cinematic

Room to write

In the city. Benjamin has moved out. I see him from a distance – we wave.

I’m in the new place, yes, and I have the studio where I paint, yes, but there is also a writing room I have not been to in some time….

It’s a bit of a grody place, kind of like a rundown motel room, no real neighbourhood around, and dodgy things going down in the nearby rooms…

But it is a place to write.

* * *

In waking life, space is not such a problem – heck, you can write just about anywhere (if you can still go anywhere, given the day by day increasing restrictions on movement) but it is more about the time – time to write.

But well, hey. Looks like there’s gonna be a lot of free time ahead!

There’s so many things I’ve been meaning to write about – rambling thoughts in my mind, rough drafts sitting in the draft folder here… Not sure I’m ready to make a big public commitment to a daily practice or anything just yet, but it does seem like an awfully good time to a) be as creative as we can be, and b) enjoy the beauty of widespread connection the internet gives us and not just the obsessive paranoia.

Speaking of which – this was happening in the building across the street yesterday –

Scary dystopian scene, right?

So this is the challenge – to find the focus, to shut out the tremendous corona-noise for a chunk of time each day, and to find the joy that is always there, waiting, in creativity.

And so many people, across the globe, are stepping up, shouting out, in the most amazing ways already. For example, my hugely talented neighbour –

Teiya

And you, Nose Followers? What are you up to in this strangest of times???

Sun’s up

Sun’s up, uuh huh, looks okay
The world survives into another day
And I’m thinking about eternity
Some kind of ecstasy got a hold on me

It came on the radio a couple of days ago as I was puttering around the studio,
an old favourite from way way back in the day –

I had another dream about lions at the door
They weren’t half as frightening as they were before
But I’m thinking about eternity
Some kind of ecstasy got a hold on me

I looked around and chuckled –

I’m surrounded by them these days, the lions.
And yes, they were there at the door, in a dream,
and not half as frightening…
In fact they were lolling on the landing,
rolling on their backs, showing their tummies,
as if asking for a belly rub.

The big cats have been frequent dream visitors for some years now, so I pay attention, I work with them.
Not in any fancy complicated way,
more just in a way of being with them, of staying with them,
hangin’ with them, feeling them, and drawing them…

Recently The Shift Network had a “Dreamwork Summit” and gathered a bunch of interesting contemporary thinkers on dreaming to each give a talk and present their methods.
A few of my faves who I’ve worked with were there – Robert Moss and Toko-pa Turner, Sandra Ingerman and Sergio Magaña and Charlie Morley –
but I found I was especially drawn to a couple of guys whose work I’ve only read in books –
Robert Bosnak and Rodger Kamenetz.
Both of them talked about the phenomenology of dreaming.

Bosnak elaborates in Tracks in the Wilderness of Dreaming,

The dream story is not the dream itself.
The dream itself is a texture woven of space and time inside which we find ourselves.
During the dream we believe we are awake, in the same way that we believe we are awake when we truly are…
This is one of the few laws of human experience that hold true the world over.
The ‘I’ in the dream lives inside the dreamworld with the unshakable conviction that the surrounding reality is, indeed, utterly real.
Each dream arouses within us the conviction that we are in our waking lives.
~Robert Bosnak

With this unshakable conviction,
believing utterly and truly that it was happening as it happened,
I had a dream a couple of months ago – a nightmare, really.
In the dream, I (an I that was not entirely me, but somewhat somehow)
had been designated contaminated, or contagious, or faulty in some way,
and was given a bomb to hold against my soft belly.
And I lay there waiting for it to explode,
praying only that death would be fast.

Not a fun dream to take to the studio.
Not a fun dream in any way.
But as I let myself live with it,
as I looked long and hard at my day-to-day life,
it proved very instructive.

Kamenetz writes in The History of Last Night’s Dream –

The dream wants to show us inner space.
It shows our predicament, how we really live.
But you have to be willing to feel something about your predicament, because there’s no other way in…
The special language of dreams is forceful, poetic, metaphorical…
You have to learn what causes your predicament and overcome it.
~ Rodger Kamenetz

And so I began to make a few changes.
Obvious things – started removing some unhealthy habits and initiating healthier ones.
But with these subtle changes came a surprisingly enormous emotional shift,
an energy and optimism and buoyancy I thought had fled forever with the onset of middle age.
And then I came across a quote from Sergio –

Often when we die in a dream
it denotes favourable changes in our life,
even if the death occurs in a violent manner
and our conditioning leads us to interpret the dream in a negative way.
~Sergio Magaña

This reminded me of the interpretations of the Death card in tarot decks,
a frightening card to see in a reading,
that is usually not entirely what it seems –

Death is necessary for new life.
Without the old growth dying and decomposing into the soil through fall and winter, the new buds could not sprout in the spring.
Without death, nothing could change.
~Rachel Pollack

Or even more radically –

Initiation rites always led up to a simulated death and rebirth.
The initiate is led to believe that he or she is actually about to die.
Everything is done to make this death as real as possible so that the ego will be tricked and in fact experience that dreaded dissolution.
Then, when the initiate is ‘reborn’ he or she experiences a new maturity and a new freedom of energy.
~Rachel Pollack

Now this thought I love –
That the dreams contain their own processes of rites of initiation,
their own shamanic rituals,
their own journeys to power animals.

And to leave you with some of that buoyancy and optimism I’ve been feelin’,
do yourself a favour and have a listen –

And in case you’re wanting some more of that – 

Happy 2019!!!