Cinematic dreams

The taxi driver refused to go any further.
I was staying at a hotel near Spadina and College – El Mocambo territory – and wanted to get further down towards Dundas, into the deep and winding medieval streets, but the driver turned the car around and let me out, saying “most people don’t want to go down there – it’s too dangerous”.

In the dream, downtown T.O. was like one of those neighbourhoods in Mexico City – Colonia Doctores or Ciudad Neza  – where all taxi drivers refuse to enter cause anything could happen.
So I got out and walked.
The streets were deserted and dark, and I walked and walked, way south, walking all night until I got down near the very bottom of the city, almost to the waterfront, where the sky was wide and the road opened up into a kind of rock quarry or a crumbling Colosseum, a part of the city that had long been abandoned and was just big open empty raw spaces  –

I ventured up onto the first layers of the rocks, rambling happily until I sensed movement in the shadows of the quarry. And as I looked, creatures took shape.
They were lions – stone lions.
They were living animals – their large bodies moving and rummaging about – but they were made of stone, the same stone of the the quarry.

At just the moment that it registered in my mind what I was seeing and the danger I was in, a large lion sensed me too, the hint of movement in his peripheral vision, and his head snapped up in a snarl.
Then there was a pounce, the running jump of the massive creature coming after me.

big biting lion

Suddenly I had a large plywood board in my hands which I lay underneath in a crevice in the rocks, pulling the board flat on top of me, effectively disappearing into the ground.

The lion lumbered heavily over me, not finding me, scrambling over and away, somewhere beyond where I lay hidden.
The fear was so huge – one of those nightmares that wakes you up in a sweat, blinking in the dark of the bedroom.

* * *

Today I had one of those days, out and about in the ‘hood and, while taking photos of the various construction and rehabilitation projects happening all around us here, here down at the bottom of the city, in an area that had been abandoned for decades, I remembered this dream again.

A dream from more than 10 years ago.

What I still don’t quite understand is where does this dream exist in time?

Because it’s as if some part of the dream knew where I was going more than 5 years before I moved here, before our building was built, before this abandoned part of the city was on its way to being brought back to life.

But now, having remembered the dream, and feeling as if I am somehow somewhere inside of it, I remember also some of the wise words of Robert Moss regarding the animals we meet in dreams :

Our animal guardians are hunting us in our dreams. If we will only stop running away, brave up, and remember, we can claim their power …

Lens Artists Challenge – Cinematic

Deep dreams

horse flank hairA large, hot, breathy, needy animal in the bed with me – powerful, emotional, childish, grabby.
So close, as if I couldn’t quite see it.
A horse?
horse eyeWaking up, stretching, catching the tendrils of the dream, I thought of the horse at the farm this past summer, the one who would always break away from the group and rush over at a trot – would be on me, nipping my shoulders, in my face, my ear, so needy.horse groupBut thinking further back, I realized horses have appeared a number of times in my dreams. They are beginning to take on their own symbolism – like a running motif in a story they’ve begun to be recognized figures, speaking, along with the cats and other regulars, in a kind of private dictionary of dream symbols.horse eating and lookingThere was that really vivid one some years ago – an obviously BIG dream – where I was with Claudia, and we decided to look for some old drawings I’d done.
If only I could find those drawings, we said, the way through to the future would all become clear.ronda archwayWe jumped down from the old stone walls, having decided to look for them right away, right now, and went into the house.
People were everywhere – women cooking and talking, gathered in each room.
They were friends, most of them – some of the Montreal gang, but a few Toronto friends as well – busyness everywhere, with the noise of laughter and talking and kitchen sounds rising and bouncing off the walls.
We made our way past everyone, polite nods and waves, and in to the centre of the house – some inner sanctum that posed as a crawl space but was really a kind of lost cave like those ones in the south of France and Spain.
There, in the doorway, at the entrance to the cave, where I was sure I must have stored the drawings, were 3 horses.
circling small w watermarkThey needed to be paid tribute.
They were needy, neglected. There was a whiff of beer.
They needed some kind of acknowledgement before passage would be allowed.
Animal as sacred; sacred as innate nature, as dharma, as animal.
https://www.youtube.com/watch?v=4i-qhteKOyY
So of course, to pay tribute, to acknowledge and pay respects to the call of the hot, needy, breathy companion of the night, I’ve started a new painting.begin horse pntgNow I just need to pick up some beer…double expose horse skyWeekly Photo Challenge – Depth

Dream paraphernalia

dreamcatcherLast night I was telling my son about the dream of the house where nothing was what it seemed, everything shifting, slippery, treacherous and untenable.
We stood under the overhead lights in the kitchen, he towering above me as I said I thought it was about the job I quit on Tuesday.
“Oh, but you don’t know that”, he snapped with annoyance – one of mom’s hare-brained, hippie inclinations at work again.
He is a computer science student with a rare flare for mathematics. He is an excellent student, top of his class. I see the pages of his homework, a language of ciphers and glyphs that I will never ever in my life understand even a spec of.
Dreams, however, I know a little bit about – I’ve spent some time with them.dream shelf“It’s not like math, it’s an interpretive art”, I said to my too-cool-for-school, skeptical son. My son who insists it’s not that he doesn’t remember his dreams, it’s just that he doesn’t have them.
On a similar note, a number of the new visitors and commenters here on followyournose have mentioned they rarely remember their dreams.
So I’d like to share a few of the authors and influences I’ve come across, in case any of it might be helpful to someone.
I was telling Poshpedlar and Agniva how I keep a dream journal, THE single most important tool, I think, if you want to start remembering dreams.dream journalIt sits open beside my bed with a blank page ready in case I want to scribble in the dark in the middle of the night, and also for the blurry morning fragments, captured first thing, before turning over or getting up, any fleeting whispy images.
A good source for some of these fundamental things to try is dream-master, shaman-teacher Robert Moss – he’s got a Tools & Techniques page, very helpful.
Although the dream journal is one key tool, personally I use kind of a bunch…like kind of a lot….like I’m so heavy into the dream thing, it’s kinda way out in woo-woo land. In an exchange with jethag at Jet Lag, I allowed as how there may be “dream paraphernalia”…
For example, the dream catcher at the top of the post. Of course.
For example, this silver bowl – silver dream bowlIt sits on the bedside table with water in it – I refresh the water regularly.
This practice came from Ohki Simine Forest, a fascinating shaman-woman who lives in Chiapas, Mexico, though she’s originally Canadian (Québécoise / Mohawk). I got the silver dream bowl practice from her book, Dreaming the Council Ways, a book I loaned out to someone and along the way have forgotten the particulars of the why’s of this practice, but I still feel some magic quality, some mystery in the aquatic reflecting vessel by my bedside for facilitating, channelling dreams.
Also beside the bed is this buffalo fetish –
buffalo fetishHe reminds me of a dream I had some years ago, a dream of a buffalo in a zocalo, a town square, and of how I followed the dream to a place, traveled to try and find and understand the dream, and along the way found him in a shop just off the zocalo of a town that looked an awful lot like the dream.
He reminds me that I’m willing to travel for my dreams, to follow them to the places they show me, to think about what they are trying to tell me.dream crystalsThese crystals are quite tiny and special in a way that is so far out in the land of woo I can’t even describe it, I’ll let you explore for yourself here.
But I love putting one under my pillow each night, as a kind of promise to myself to try and pay attention to any dreams that come.
This little ritual emerged from a fellow student in an online dream workshop, Dreamwork with Toko-pa, a lovely experience. Toko-pa also has some tips for dream recall in a video on youtube – a nice way to get some ideas and introduce you to her fabulously exotic west-coast self.lion biting - brighterAnother favourite thing to do with really strong, vivid dreams when they come, is to draw them or paint them – it’s a great way to spend more time with them in a visual, visceral, sensual kind of way.
The lion above was from one striking dream I had, and the panthers below another strong onepanther collage - brighterEach of these practices is essentially about one thing – I am telling my dreams and myself that I’m listening. That I want to hear from them. That I respect and value what they have to tell me.
Some years ago I took a series of dreams I’d had to an elder, Joanne Longboat, a woman Robert Moss writes about in Dreamways of the Iroquois, referring to her as “Turtle Woman”.
She said to me, “They say the Spirits will come talking to those who listen.”
So I’m listening…