On and Off the Grid

Although we’d signed the lease early Tuesday morning, we couldn’t move in ’til Friday night – it was that kind of week, has been that kind of month.
We packed the car, dumped our stuff, breathed in and looked around and vowed to come back soon as we could.
Can you see our space, up there in the bright light on the third floor?IMG_20150918_203402-01-01Tuesday had been the final preparation of the large colour images for the dress rehearsal that night and then show opening Wednesday. Printing and mounting this combination of old photo resuscitation and photoshop art that I started to really love doing – Photoshop is growing on me.
Can you see those strange women, collaged and cloaked there in their layers of colours and textures and doodads?20150919_195216_HDR-01Wednesday was troubles hanging the dang pieces on the brick walls and printing black & white pictures for the charity show on Thursday.
Thursday was cutting the black and white prints and wrangling the little pieces of paper into the metal-grid-frame thingy I’d found that seemed like the perfect old-fashioned new-fangled gizmo for the subject.
Can you see all the different images, tucked under, beneath, and behind each other?imageFriday was packing, cleaning, preparation for Saturday’s art fair, and then by evening the dashed move into the new studio.
Then running late, Saturday morning, the damn grid walls that have haunted my summer at art fairs here and there – the absolute necessity of them, the awkward unwieldy height of them, whether they have enough space between the rows to actually hang the resin pieces on them.
Everyone’s fascinated by the resin – they love hearing about the process – the blowtorches, the drying time, the risk of dust and bubbles, the sanding afterwards.
Can you see the grid walls, there sustaining everything, underneath all the shiny, crooked art?wpid-wp-1442869447858.jpegThen finally Sunday, at long last I am on my bike and off in the direction of the new studio.
It is a gorgeous, sunny day, blue blue skies stretching everywhere as I pass kites and kids on the beach, along unknown bike trails at the bottom of the city, and onto long stretches of path beside abandoned train tracks.
It’s the old grid of the city, the old infrastructure, the remnants of how things used to run down here.wpid-wp-1442869985683.jpeg

The whole way there, in amongst the trees, the paths, along the beach and finally even along the roads, the train tracks, the crumbling highways, there is movement. Monarch butterflies flit everywhere. Every few feet is another flutter of wings, recklessly spiralling up up up into the sky.
Can you see this one, tiny in the blue, making his way up and over the grid supports of the motorway?wpid-wp-1442869994939.jpegMigration season. Everywhere they’re finding their way to the lakefront to launch themselves on their insane, remarkable, magical journey down to the mountains of Mexico.
The fragility. The resilience.
I push on.
Bridges crisscross the opaque brown river, and it feels like the stinking bowels, the underbelly of the city.
Men sit amongst the bushes with fishing lines outstretched into the filthy water. Very “off the grid” living.wpid-wp-1442869455143.jpegFinally I am IN the new studio, full of the sights of the ride here.
The sun pours in the windows.
I have the whole space to myself for now.wpid-20150920_142512_hdr-01.jpegWeekly Photo Challenge – Grid

Beneath

The city had been disgusting with the heat – waves of it coming up like an open oven from the pavement at intersections, the apartment sticky and muggy and confining and gross.
The only thing I could think about was getting up north, getting into some water and swimming.
Swimming swimming swimming in the coolness of a lake.
Packing a few things into a bag, I came across this little pamphlet kind of thing that’s been kicking around for a while – it’s written by my mom, but I’m not sure when I got it or why, and when exactly it emerged from the archives and started floating around my reading pile, but there it was blinking up at me, and since all I could think about was swimming, I threw it in.
underwater experience
My mom used to be a prof, so she would do things like write books, and I remember one time when I was a kid asking her what the title of her book was, and she said, “Equivocal Predications”.
Oh. Ummm, right. Whatever.
So I wasn’t sure how far I’d get into this mysterious little pamphlet, but although it’s dense, it’s actually quite lovely, and I thought about the ideas in it as I went swimming each day in the cool deliciousness of a little bay.
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In her opening, she says,

After positing that water has a body, a soul, and a voice, Gaston Bachelard argues in Water and Dreams, “Possibly more than any other element, water is the complete poetic reality”…

Floating, savouring, weightless and happy, chasing ducks and minnows, I remember what a passionate scuba diver my mom was – she couldn’t get enough of it and was always off on some trip to go diving.
underwater
She writes,

Until only recently, literature of the sea and its inherent poetry has been predicated on a superficial relationship between man and the sea: man on the edge of the sea or man on the surface of the sea. To go under, to go down in the sea, was to go the way of Plebase in “Death by Water,” losing the power of perception…

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Now, with special equipment, men can experience the profundity of the sea: he can go down and still live to hear the poetic language of the deep of the sea. The action of going down is the gesture of knowing: the deep holds within it the secret of all that is unknown, the metaphorically profound, and the mystery of all that is “under” – including psychology’s unconscious and the mythic underworld.

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Within the profound abyss, within the metaphor and experience of depth itself rests an expression, according to Merleau-Ponty, of divine Being – amazing us who might have expected and seen taught that God is transcendent and “above”: “Claudel,” he comments, “goes so far as to say that God is not above but beneath us – meaning that we do not find Him as a suprasensible idea, but as another ourself which dwells in and authenticates our darkness…

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Weekly Photo Challenge – Beneath Your Feet
…with a special shout-out to my mom ❤

Broken Rock Face

cormorant island
Friday afternoons are sketching class – the best day of the week.
Each week we go to a different location, a park somewhere close by, in the ‘hood, and set up to draw whatever presents itself.
This week was the Scarborough Bluffs.
tree leaning down cliff side
Such an amazing place – I’d never been this far east and south before, and wow, what a fascinating, strange place, almost like being at the ocean with the strong winds, the sound of waves on the beach, the gulls and kingfishers diving for fish –
kingfisher
A place to come back to when the sun is low on the horizon and the skies glow orange and magenta.
But it was interesting too how harsh and desolate the cliff faces looked in the bright afternoon light, the ravages of time and water on the shapes of the rocks –
overhang full size
edge, gull, treetop
My drawing companions tease me that no matter what I draw – a rock, a tree, an animal – it ends up looking vaguely like the human figure.
A drawing of a cliff face also seems to hold a variety of human faces, snouts and orifices –
hoodoos drawing
Another rock drawing suggest reclining figures, hairy crevices and the folds of flesh –
rock fountain drawing
A drawing of tree hints at perhaps a headless torso, arms, a belly-button –
tree torso drawing
Another tree could be an underarm, or a knee –
tree branch drawing
That is my hand, my mark, apparently.
Out in the sun and wind, facing these cliffs, blown away by the sheer force of the place, it’s hard to even put pencil to paper, the desire to simply soak in the splendour of the day is so overpowering.
Yes, this too is Toronto…
cliff lake vistaWeekly Photo Challenge – Broken