Looking back

I was in Ottawa visiting friends from back in the day, back in Montreal, and as if out of some random pocket of a time warp, my friend pulled out some tiny forgotten paintings I’d done on tiles – tiny still lives of the charming funky place we lived in together so many years ago…

bowl and hyacinth

And my gosh, it was a revelation to me – most of all, that I had more or less managed with, more or less made my way around oil paints a couple of decades ago.
I’ve been struggling with oil paints the last few months – torn between the more recent experience of a fast drying acrylic paint, the possibility of fast endless layers, and the faint memory of a rich buttery wet wet paint I was able to negotiate to some degree some decades ago…

kitchen telephone

Now, trapped in work deadlines, I am fetishizing the time ahead in the studio…how glorious it is sure to be with this new-found half-remembered confidence…

goose and duck

Happy happy summer all…

Weekly Photo Challenge – Looking Up

The Great Curve

Sometimes the world has a load of questions
Seems like the world knows nothing at all
The world is near but it’s out of reach
Some people touch it…but they can’t hold on.

peony burst

She is moving to describe the world
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
She has messages for everyone
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
She is moving by remote control
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)
Hands that move her are invisible
(Night must fall, darker, darker)
(She has got to move the world, to move the world, to move the world)

peony busy abstract exp1

The world has a way of looking at people
Sometimes we feel that the world is wrong
She loves the world, and all the people in it
She shakes ’em up when she start to walk

peony - points and folds exp1

The world moves on a woman’s hips
The world moves and it swivels and bops
The world moves on a woman’s hips
The world moves and it bounces and hops

peony deep dive exp1

Weekly Photo Challenge – Curve

Out of Time

Today a man unwound his long arm from somewhere behind his body and stretched his hand towards me, saying, “I have to warn you, I’m a transgendered person and my name is Eve”.
In his hand was an apple.
***
Yesterday a man standing beside me gently tugged my hair, calling me “cute”, “beautiful”, teasing and playing with his words, saying, “if you show me yours, I’ll show you mine”.
I shook his hand and bid him adieu.
***
A few weeks ago I met a man. He came announced, in a way – the friend of a friend and an elaborate story about how she hadn’t heard from him for 20 years, but he’d heard somehow through the grapevine about how she was going through a very very tough time.
He’d made the trip on horseback from his farm to the local town where there was a phone he could use to make the international call to her, the call to say, “I heard… and I am so very sorry”.
The way she tells the story, they were chatting away after so many years, catching up on many fronts, and there was a strange shuffling whinny sound that startled the conversation, making her ask, “What’s that?”, and he answered, “Oh, that’s the horse!”, as if he was of course still mounted on a horse there by some outdoor phone in a tiny little town in the mountains.
She’d told me the story, and we’d chuckled away together at the absurdity of such a thing in 2015.

Some weeks later at an opening at her gallery in Montreal where I am attending with a few pieces in the show – a fun, relaxed affair, with enough friends and new encounters to make it all feel just right, and at the end of the afternoon, milling around, why there is Harry – brilliant, hilarious Harry who I’ve adored since I was a wee little 20-year-old bohemian lost anglo soul in Montreal, and he’d always be an essential figure in the mix for all kinds of events and openings and dinners and all of that back in the day.

At some point he’d started dating my friend who has the gallery and this was in fact how I met her. I knew him, he met and fell in love with her, they became an item, and we began to go out to things the 3 of us, and well… I was smitten with her – a tiny, exquisitely beautiful Latina, ferocious, talented, sexy as all hell, brilliant.
In Harry’s car, coming back from a Buffy Sainte-Marie concert where the Neville Brothers had also featured, she sat backwards in the front seat, facing me – her perfect Inca-princess face raving about the amazing beauty and resilience of Buffy’s spirit. Harry drove and laughed and agreed and we all rode the wave of the moon, the music, whatever drugs we were on at the time. I was in love with her, hands down.

Oh so many decades later, and children and jobs and relationships and different cities and we all see each other less and less, except now, this moment, a tragedy has brought us all together, older, broken-hearted, perhaps more forgiving than we ever were.
We end up going out afterwards – Harry and my friend and me and the guy who rides a horse to get to a phone who has come into town on an overnight bus in a gesture of support.
Nobody has any money. We eat the bare minimum and go back to my friend’s place to drink plonk.

In the deep dark of a Montreal balcony at night things start to get intense in ways I miss, ways I long for – arguments about art and politics and love and aesthetics and priorities in life.
There’s a point where it becomes clear that my friend and Harry – ex-lovers who haven’t seen each other for many many years – are hashing out old stuff they need to work out between them alone. I head inside from the balcony – inside to a couch where it looks like I’m going to spend the night.
Guy Who Rides Horses Through Mountains comes in as well and says he’d like to show me something – photos of his life on his farm in the mountains, and the horses and dogs and whatnot.
Genius, I think, as in fact, I’m curious about this fellow who supposedly lives so far off the grid even access to a phone call takes 4 hours by horse. Yes please, let’s see what this looks like.

He has a little point and shoot camera. He apologizes that the photos may cover many years and many situations. But there are many magical moments in his photos – a series of strange fauna atop the mountains; the trusting happy bellies of his dogs, giving it up for a stroke of the belly; the work of local artists, painters and the like; the horses and also donkeys, whose step is apparently more sure through the narrow mountain paths; a strangely compelling series of metal fence grids that make me remember a dream that slips away before I can grasp it fully…
It is an awkwardly intimate moment there on the couch – two strangers sharing a moment… And we each pull away, diving into sleep.
In the morning I’m up early, packing my bags, heading north with other friends.
I give Guy Who Rides Horses my business card, as he and I will both be in Toronto by next weekend, so we could conceivably meet again there – a beer in Kensington Market, a drop-in to the show I’m doing on the weekend.
But I know already, even as I suggest it, that none of it will ever happen…