They’ve been sitting in a folder in the basement, old old work prints that never quite got finished, and are here scanned. I’m thinking to join a local photo co-op so I can scan some of the old negatives and revisit them, give them some love, resuscitate them from their state of defunctedness.They are moments of abandon, in different meanings of the word – a moment of wild running abandon; an abandoned fridge and perhaps child as well; and losing oneself to the abandon of sleep…Weekly Photo Challenge – Abandoned
Moons I have seen
In honour of tonight’s full moon and Valentine’s day, a revisit –
A cold full December moon cresting high over the Clinton schoolyard – staid brick building structures back lit with beams of moonlight, a few lone figures with dogs scuffling, breath in clouds in front of them, a faint dusting of white on the frozen ground.
in summertime the bats swoop down over this little round of track and trampled grass and soccer goalposts. In daytime the children shriek happily or protest the small devastating cruelties of their recess torments.
In the night with the moon bright, these daytime activities echo, ghostly.
In this city interior it is sometimes hard to distinguish the moon from a street lamp – a single globe like so many others – hard to believe the number of cultures that created a Moon Goddess out of this small frail lamp – almost an unremarkable phenomenon in the forest of lights.
A brisk February moon over the farm fields of southern Ontario – Ajax, Port Hope, whisking by in the night, the horn of the train calling out forlorn and hopeful at once, coming, coming, we are coming. As fast as the train goes, the moon does not move, the fields and houses are drowsy in her soft light.
A humid March moon low over the small town of shacks by the jungle – powerful single light of the night, illuminating modest wooden lean-to’s for homes, mud streets, the last tired men heading home after the long day to settle in before the monkeys begin to scream from their trees.
Late in the night when the moon is highest, laying a blue light over this little collection of shacks, only the skinny crazy woman is out – the woman who went mad with grief, losing her child to one of those childhood illnesses afflicting only the countries closest to the equator. She wanders in the night, sometimes silent, sometimes still wailing her grief to the unblinking moon, her body still young and beautiful under her rags, her tangled hair a glorious matted mane of dark waves. Tragedy incarnate, the beauty, the insanity, the youth, the grief, the potential, the loss.
The big river is not far.
A singular star-effacing June moon over the playas del este just outside of Havana – a beam of clarity on the ruins of dreams and hopes of generations past – rubble that used to be construction, vacant chicken joints that used to be dreams of prosperity, empty lots that once had been valuable property along the beach. The most undeveloped, unspoiled and unloved stretch of fine white gleaming sand.
We walked, my new love and I, along the beach, my hand in his, contemplating together the empty shadows of lives unfinished, the dreams of futures never realized, the beginnings left hanging, suspended, abandoned. The moon held us in its light, showing us the path, a way along the dark beach by its light.
A sharp glaring mystical eye of a moon over the October desert mountain stretch – a penetrating gaze in a landscape that offers nowhere to hide. The mountains present themselves stark dark ochre against the dark blue sky like a childrens’s book of cutouts. Pink highways push northward. Whiffs and shadows of the cultures of the plains, the great warriors, the visionaries, people of power, shimmer around the edges of shrubs, speed limit signs and gas pump exits.
A hazy unreliable November moon watching the square and the streets of Coyoacan, nudging its light into the patio and the windows of the casita azul, empty and haunted. Amidst the teeming millions, the frankly frightening overwhelming labyrinthine megacity, still the nights give themselves to the snaking rising mist of the ghosts of the old souls, the departed, the ancients, the history of the city. Even outside the throbbing discotheques, the shining towers of business and industry, the ancient layers of the Aztec breathe out their pustulent breath until the rays of the sun break the spell yet again, and all manners of ordinary activity return.
A massive May supermoon rising engorged and heavy, menacing as it looms over the city, heaving itself above the downtown highrises and slowly propelling itself up into the sky. In the park, people are stopped silent and clustered, staring, pointing, cel phones out taking pictures of the big ball in the sky over downtown.
I wander the paths of the park, alone with my phone, frustrated at the paucity of the images it’s able to capture of this monstrous moon. Still, I pace back and forth, stalling, biding time, watching the moon climbing up the sky, waiting out the hours with my heart in my hand at the edge of the park, the street, the sirens, the moon, as my love – no longer new, now a fumbling, faltering marriage – is packing his bags, getting his belongings together, and leaving.
Photo note – usually I use my own photos, but most of these (save the one immediately above) are found from various places on the internet. However as they were largely not credited where I found them, I have left them without credits here with apologies.
For several nights now I’ve dreamt of a temple of death.
Apropos for the Halloween / Day of the Dead season I suppose – the skulls and skeletons are everywhere, sticking up out of the ground, in and around a kind of pyramid rising up into a darkened sky with segmented sections, the lower levels somewhat gorier and grisly, the staircase up to the upper level flanked with lithe dancing young people.
The dreams seem sort of natural for the season, or like maybe they’re a by-product of the new moon / eclipse action happening in the sky, but I also suspect they’ve been brought on by this breathing exercise thingy I’ve been doing.
The exercise is an extended 5-month project, 40 minutes a day of combined breathing and visualizations, taught or guided by Sergio Magaña of Mexico City. He has a school in Mexico for teaching spiritual mastery and healing techniques of the ancient Toltec and Mexicas, or Aztec as we would call them.
Here’s some music to set the tone (the video has Maya imagery, but gives that ancient Mexico feeling) –
This guy Sergio has a book out, and someone on the book jacket blurb calls him “the new Carlos Castaneda”, really a most unfortunate and misleading reference because for one, his writing is not the lush fiction of Castaneda, but a more impenetrably cryptic mathematical and culturally localized explanation of things that made no sense to me until I went to a workshop he gave a couple of months ago in Owen Sound.
Secondly, there is no sign of a creepy Castaneda cult around him – he is a funny, laid back, lovely, helpful guy, and works with the UNESCO Heritage Club to preserve the Nahuatl culture.
Nonetheless, at the workshop in Owen Sound I found I was having some serious resistance – doubts or hesitations or reservations about being open to a teacher, a healer from outside my own cultural tradition. Maybe it was because I hadn’t dreamt about him before he appeared – something that has happened to me more than once, where I’ve dreamt of a wise person, then met them later, a phenomena which made me trust the wisdom, the prescience of the dream to have led me to them.
With Sergio there was also a question for me of cultural appropriateness – I worry over the kind of mix & match version of spiritual grab-baggery that seems to plague New Age type ventures. Even though I am fascinated by all things Mexican, have spent a lot of time there, still I hesitated.
I kind of wanted to ask him directly about these questions, about why we Anglo-Saxon types should feel free to saunter into the study of ancient Mexican culture, but I felt awkward and maybe like an insensitive brute, cause in the back of my mind was also the thought that it seemed a bit bizarre to be learning spirituality from the tradition of the Aztecs? I mean heck, those guys were INTENSE!
But I waited, didn’t raise any questions, just learned what I could, and then back at home one night reading, I stumbled on these words:
…if you go back far enough you can probably find that all our ancestors practiced human sacrifice. It was part of the religion in the old days and seems like it was practiced all around the world…” ~J.M. White
Right. Of course. Abraham and Isaac. Not quite the same scale but yes, the idea being that human moral codes are constantly shifting.
And the joke I always remember of how they say the Aztecs and the Spaniards deserved each other in terms of their mutual capacities for cruelty.
So being charmed by his lovely personality and the remarkable amount of success he’s had with his practices, and because it’s free and I find myself totally unable to stick with traditional meditation, I committed myself to the 5-month project of Sergio’s breathing exercises. And things are definitely starting to shift internally – some seismic cracks that have left me without much impulse to write.
The fundamental point of this breathing exercise is to “cleanse the shadow”, or in Western psychological terms, clear the unconscious.
It’s a technique that proposes to bypass all talking cures and do away entirely with the “story” of the self.
The idea is to let go of all the elements of what we tell ourselves about who we are.
The challenge lies in understanding and accepting that human beings are simply an idea, an illusion in motion, and that the only truth is the energy of the essence, which is pure potential. As long as we are aware that this is the case, then our idea of ourselves can easily be replaced by a better idea. ~ Sergio Magaña
The more weeks and now months that pass of doing this exercise for 40 minutes a day, the more I seem to be dreaming of death.
But later, as I get towards the end of it, I wonder what new imagery might wait for me there?
What do you dream of, dear reader?